Reviewed by Tony Annicone GAMM Theatre’s second show of their 40th season is “Amadeus” written by Peter Shaffer in 1979. It is loosely based on the lives of Wolfgang Amadeus Mozart and Antonio Salieri, later adapted into a movie in 1984. “Amadeus” was inspired by “Mozart and Salieri,” a short play by Aleksandr Pushkin, which…
The Huntington’s “Nassim” Bridges Our Differences through Language, Gimmickry and Charm
“Nassim” — Written by Nassim Soleimanpour. Directed by Omar Elerian. A new guest performer for every show. Presented by The Huntington through October 27. By Shelley A. Sackett “White Rabbit, Red Rabbit,” Iranian Nassim Soleimanpour’s absurdist adventure, which sits on the boundary of comedy and drama and burst into London’s West End in 20212, changed…
Lyric’s “Urinetown” Delivers a Steady Stream of Satire and Fun
“Urinetown” – Music and Lyrics by Mark Hollmann. Book and Lyrics by Greg Kotis. Directed by Courtney O’Connor. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, through October 20. By Michele Markarian If I were to be perfectly honest – and somewhat lazy – this review would consist of only three…
It’s the “Best Day Ever” in Wheelock Family Theatre’s ‘The Spongebob Musical’
‘The Spongebob Musical” – Book by Kyle Jarrow. Conceived by Tina Landau. Arranged by Tom Kitt. Directed by Nick Vargas. Music Directed by Jon Goldberg. Choreographed by Joy Clark. Presented by Wheelock Family Theatre at 180 Riverway, Boston, MA 02215 from October 5th to October 27th. By Helen Ganley An iconic yellow pineapple sits on…



