Short Take: ELVIS Is Another NSMT Crowd Pleaser

November 6, 2023April 11, 2026 Shelley SackettLeave a comment

Dan Berry in “Elvis” at the North Shore Music Theatre. Photo © David Costa Photography

‘Elvis: A Musical Revolution’ at North Shore Music Theatre. Book by Sean Cercone and David Abbinanti. Based on a concept by Floyd Mutrux. Direction and Choreography by Kevin P. Hill. Co-Music Direction by Milton Granger and Robert L. Ruckinski. Scenic Design by Kyle Dixon. Costume Design by Travis M. Grant. Lighting Design by Jack Mehler. Sound Design by Alex Berg. Wig and Hair Design by Rachel Padula-Shufelt. At the North Shore Music Theatre through November 12.

By Shelley A. Sackett

Who can resist the charm, energy and smoldering heat of that hip-swinging, pelvis-grinding consummate crooner and actor known as Elvis? At Bill Hanney’s award-winning North Shore Music Theatre, fans and fans-to-be of the “King of Rock and Roll” can spend a toe-tapping two and one-half hours (one intermission) as over 40 of Elvis’ most famous songs are belted out by talented Dan Berry while a cast of 29 sings and dances their hearts out to a live orchestra of nine.

Throw in the theater-in-the-round setting with its intimacy and excitement, and you’ve got all the ingredients for an evening of sheer entertainment.

Short Take: Blue Man Group Presses the Refresh Button while Keeping the Best of Its Core

November 6, 2023April 11, 2026 Shelley SackettLeave a comment

‘Blue Man Group’ – Created, Written and Directed by Matt Goldman, Phil Stanton and Chris Wink. Lighting Design by Matthew McCarthy; Set Design by David Gallo; Video Design by Caryl Glaab. Presented by Blue Man Productions at The Charles Playhouse, 74 Warrenton St., Boston. Ongoing.

By Shelley A. Sackett

Blue Man Group is a global entertainment phenomenon known for its award-winning theatrical productions, unique characters and multiple creative explorations. With its all-new 2024 show at The Charles Playhouse, it has upped the ante on its high-energy production with new music, two new acts and a finale that feels like a Las Vegas New Year’s Eve celebration, complete with streamers, confetti and bubbles.

At NSMT, Elvis Lives!

November 3, 2023April 11, 2026 Theater MirrorLeave a comment

Cast of “Elvis” at the North Shore Music Theatre. Photo © David Costa Photography

Elvis: A Musical Revolution at North Shore Music Theatre. Book by Sean Cercone and David Abbinanti. Based on a concept by Floyd Mutrux. Direction and Choreography by Kevin P. Hill. Co-Music Direction by Milton Granger and Robert L. Ruckinski. Scenic Design by Kyle Dixon. Costume Design by Travis M. Grant. Lighting Design by Jack Mehler. Sound Design by Alex Berg. Wig and Hair Design by Rachel Padula-Shufelt. At the North Shore Music Theatre through November 12

by Linda Chin

Whether, like me, you’ve seen Elvis Presley perform his hip-gyrating hits on archival footage, or like my plus one, saw him perform ‘live’ on the Ed Sullivan Show on black and white TV in 1956, you’re in for a fun time at NSMT. Their current production of Elvis: A Musical Revolution features over 40 of his songs, a terrific 9-piece orchestra, a 29-member company of triple-threats, and a breakout performance by Dan Berry as the King. And unlike watching Elvis on the screen, in this theater-in-the-round – where you’re never more than 15 rows from the stage – you’ll see the actors in full form, live and up close – and not just visible from the waist up.

“A Christmas Carol” Returns to Trinity Rep

November 1, 2023April 11, 2026 Theater MirrorLeave a comment

Cast of “A Christmas Carol” at Trinity Rep. Photos by Mark Turek.

Reviewed by Tony Annicone

Trinity Repertory Company ushers the holiday season in with their presentation of their 47th production of “A Christmas Carol” by Charles Dickens, adapted by Adrian Hall and Richard Cumming. This is Trinity’s third show of its 60th season. This show’s underlying themes of charity, forbearance, and benevolence are universal. They are equally relevant to people of all religions and backgrounds, especially now with the upcoming 2024 election being upended by the former, four times indicted and arrested, as well as twice impeached ex-president. Also, because of his impending and ongoing trials about the Insurrection of the Capital on January 6th, of the stolen top-secret documents and being found guilty of assault and defamation as well as being found guilty of fraud and the still contentious climate of this country and disorder in the congress about the debt ceiling limit. “A Christmas Carol” is about the curmudgeonly miser, Ebenezer Scrooge, who is visited by the ghosts of Marley, Christmas Past, Present and Yet to Come who hope to change his destiny and save his soul to ultimately discover the true meaning of Christmas.

MRT’s Psychological Thriller ‘Gaslight’ a Portrait of Courage in the Face of Evil

November 1, 2023April 11, 2026 Theater MirrorLeave a comment

Jim Hopkins, Kristin Yancy, and Karen MacDonald in MRT’s ‘Gaslight’

‘Gaslight’ – Based on the play by Patrick Hamilton. Adapted for the stage by Steven Dietz. Directed by Courtney Sale; Scenic Design by Samantha Reno; Lighting Design by Laura Glover; Costume Design by Rainy Edwards; Sound Design by Robert Carlton Stimmel. Produced by Merrimack Repertory Theater in partnership with the Cincinnati Shakespeare Company at the Nancy L. Donahue Theatre at Liberty Hall, 50 E. Merrimack St., Lowell, through November 5.

By Mike Hoban

There could hardly be a more fitting time for a play entitled Gaslight, given that we are now living in a world that asks us to bend reality to suit our own cultural and political beliefs rather than to believe what we see and hear with our own eyes and ears. This engaging production is also a reminder of the courage it takes to fight back against the forces of evil, whether it’s on a personal or global scale, and that fight is vital to our very survival.

Exotic “Grupo Corpo” Troupe Combines Exceptional Dancing with Brazilian and African Rhythm for a Spectacular Evening of Excitement and Adventure

October 30, 2023April 11, 2026 Shelley SackettLeave a comment

“Grupo Corpo” Artistic Director – Paulo Pederneiras; Choreographer – Rodrigo Pederneiras; Presented by Celebrity Series at Boch Center Shubert Theatre. Run has ended.

By Shelley A. Sackett

Founded in 1975 by Paulo and Rodrigo Pederneiras, the Brazilian dance company Grupo Corpo (meaning “Body Group” in Portuguese) is renowned for its unparalleled blend of popular Brazilian culture, African rhythms, and classical technique.

At last Saturday night’s performance, the troupe treated its audience to a mesmerizing evening of ingenious choreography, tireless, virtuoso dancers, inventive lighting and stage design, and pulsating, tribal-tinged music by Bahian songwriter Gilberto Gil and the Brazilian jazz band, Metà Metà.

The concert was as thrilling, riveting and entertaining as it gets.

Hands Together, Thumbs Up, And Snap Twice For Wheelock’s ‘The Addams Family’

October 20, 2023April 11, 2026 Theater MirrorLeave a comment

Cast of ‘The Addams Family’ at Wheelock Family Theatre

Wheelock Family Theatre at Boston University presents ‘The Addams Family’. Book by Marshall Brickman and Rick Elice. Music and Lyrics by Andrew Lippa. Nick Vargas (Director), David Freeman Coleman (Music Director), Larry Sousa (Choreographer), Jimmy Rotondo (Scenic Designer), Frank Meissner, Jr. (Lighting Designer), Zoë Sundra (Costume Designer), Jenn Butler (Props Designer), Jon King (Sound Designer), Akeem Celestine (Makeup Designer). At WFT@BU, 180 Riverway, Boston, through November 19, 2023.

by Linda Chin

After a warm pre-curtain welcome by Jeri Hammond (Director of Education) and Nick Vargas (Interim Artistic Director) the house lights dim, and the audience is abuzz with anticipation. Yet before the red velvet curtain opens to reveal the world of the show (and its sensational set by Jimmy Rotondo and lighting by Frank Meissner, Jr.) is another surprise. A disembodied hand emerges through the split in the curtain, eliciting some gasps from the crowd (from the younger, middle-aged, or senior patrons – or all three?). But the hand seems more shy, lost, and friendly than scary, lecherous, and frightening and happily finds its place in the spotlight center stage. When the first strains of music from the theme song, the “Buh-buh-buh-bump,” rise from the pit, the hand – right on cue – snaps its fingers twice, then the phrase repeats. The hand is noticeably happier when more of its new friends in the audience join in. Which many of us baby boomers (who grew up with the television show and this opening number on our black-and-white sets) do while giggling and singing along with kooky, ooky, childish glee.

Moonbox Productions’ ‘Sweeney Todd’ Sets The City On Fire

October 19, 2023April 11, 2026 Theater MirrorLeave a comment

Joy Clark and Davron Monroe in Moonbox Productions ‘Sweeney Todd’

Sweeney Todd: The Demon Barber of Fleet Street. Music & Lyrics by Stephen Sondheim. Book by Hugh Wheeler. Ryan Mardesich, Director/Co-Producer. Dan Ryan, Music Director/Conductor. Joy Clark, Choreographer. Cameron McEachern, Set Design. Kat C. Zhou, Lighting Design. Rebecca Glick, Costume Design. James Cannon, Sound Design. Lauren Corcuera, Properties Design. Margaret Clark, Fight Choreography. At Arrow Street Arts, Cambridge, through November 5.

by Linda Chin

With their intensely powerful Sweeney Todd christening the new black-box theatre at Arrow Street Arts in Cambridge, Moonbox Productions is “setting the city on fire.” Mercifully, not because all hell has broken loose in Harvard Square, with ‘rats in the grass!…or lunatics yelling!…or great black crows screeching!’ like in Sondheim’s London, 1846. But rather because, like when used in rap music or modern slang in 2023, the term ‘set the city on fire’ means a large number of people are excited and interested in what’s happening.

Short Take: A Playfully Potent “White Rabbit Red Rabbit” at Umbrella Stage

October 15, 2023April 11, 2026 Michele MarkarianLeave a comment

“White Rabbit Red Rabbit”. By Nassim Soleimanpour. Presented by The Umbrella Stage Company, 40 Stow Street, Concord, through November 11.

By Michele Markarian

Born at the tail end of 1981 in the Islamic Republic of Iran, playwright Nassim Soleimanpour refused to participate in mandatory military service that, upon completion, would allow him to travel outside of Iran. In his isolation, he wrote “White Rabbit Red Rabbit,” a play that has been translated into more than thirty languages and performed all over the world. Part theater, part thought experiment (think Schrodinger’s cat), “White Rabbit Red Rabbit” is a lighthearted but pointed entry into a country the playwright cannot leave.

‘HANGMEN’ at the GAMM

October 15, 2023April 11, 2026 Theater MirrorLeave a comment

The cast of Gamm Theatre’s production of “The Hangmen.” Photo by Cat Laine

Reviewed by Tony Annicone

The second show of Gamm Theatre’s 39th season is the New England Premiere of “Hangmen” by Martin McDonagh. This show is a fictional story set in 1965 when the death penalty had just been abolished in the UK. In a small town in Northern England, everyone wants to know what the second-best hangman in the country, Harry Wade, whose profession has just been made illegal, has to say about it. When the news breaks, Harry’s pub is overrun with a gang of misfits and a cub reporter eager to garner a quote from Harry himself. Harry’s guilt-ridden former assistant, Syd, is also in attendance. However, when a constantly smiling, inscrutable visitor, Mooney, appears, everyone becomes inquisitive about this stranger’s mysterious motives. Even though serious topics are discussed, McDonagh keeps the comedy flowing even in the most dire circumstances. Director Tony Estrella casts these 11 roles wonderfully and elicits both comic and dramatic performances from one and all. He is aided in his task by Jessica Hill Kidd, who designed a prison area on the top of a lovely British bar that looks so realistic you’d go up there and order a pint for yourself. The terrific fight choreography is by Normand Beauregard with lighting design by James Horban, terrific sound design by Hunter Spoede with realistic thunder and rain, and the 1960s costumes by Katie Hand. Stage manager Robin Grady keeps things running smoothly all night long.