“A CHRISTMAS CAROL” at Hanover Theatre

December 1, 2023April 11, 2026 Theater Mirror1 Comment

Reviewed by Tony Annicone

The Hanover Theatre’s holiday presentation this year is the sixteenth annual production of “A Christmas Carol” adapted and directed by Troy Siebels. The historic Hanover Theatre is a jewel of a theatre hidden away in Worcester and is breathtakingly gorgeous and splendiferous. It first opened in 1904 as a burlesque theatre, in 1926 as a movie theatre and in 2008 as a gorgeous show place that needs to be discovered by one and by all. The Theatre seats 2300 people and the theatre once again filled almost all the seats this year. Troy once again has a huge cast of 28. The underlying themes of charity, mercy, forbearance, and benevolence found in “A Christmas Carol” are universal and are relevant to people of all religions and backgrounds. In his version, Troy uses a grown-up Tim Cratchit as the narrator of this familiar tale of miserly, curmudgeon, Ebenezer Scrooge. It is the classic tale of this stingy, miser on the road to his redemption. Originally written in the winter of 1843, this show still resonates with audiences, one hundred and eighty years later. Scrooge is visited by his dead partner, Jacob Marley who has been dead for seven years on Christmas Eve as well as the ghosts of the Past, Present and Future. who hope to change his destiny and save his soul. This marvelous musical adaptation is full of many special effects, timeless music, colorful sets and gorgeous costumes. This musical treat follows Scrooge on his strange and magical journey, where he finally discovers the true Christmas spirit at last. The combination of Troy’s, music director, Timothy Evans and choreographer Ilyse Robbins hard work, creates a stunning retelling of this classic story. A standing ovation is their reward on a job extremely well done.

IT’S A WONDERFUL LIFE, A RADIO PLAY at GAMM

November 30, 2023April 11, 2026 Theater MirrorLeave a comment

Fred Sullivan, Jr., Lynsey Ford, Tony Estrella, Jim O’Brien, Andrew Iacovelli, Background L to R: Helena Tafuri, Milly Massey in GAMM Theatre’s production of ‘It’s A Wonderful Life, A Radio Play’. Photos by Nile Scott Studios

Review by Tony Annicone

This year, GAMM Theatre’s holiday production is “It’s a Wonderful Life: A Live A Radio Play,” adapted by Joe Landry. It’s their fifth presentation of this show. Seven performers plus a sound effects man deliver all the lines of all the characters in the Frank Capra movie. This beloved American holiday classic comes to captivating life as a live radio broadcast in Warwick, RI. It is staged as an old-fashioned 1940s radio show. The audience is transported back in time as a radio audience watching an ensemble of performers bringing dozens of characters to life on stage. The “broadcast” is interspersed with live commercials about Greenwood Credit Union and Gamm Theatre. Before the show, there is a sing-a-long with cast members doing “Jingle Bells” and “12 Days of Christmas,” with the Foley Artist doing sound effects for each day while doing them faster and faster each time. Relive the story of the idealistic George Bailey as he considers ending his life one fateful Christmas Eve. This is a fully realized version of the story initially brought to life by Frank Capra in the movie that starred Jimmy Stewart and Donna Reed. Directed previously by Damon Kiely and remounted this year as well as last year by Tony Estrella, who molds these eight talented performers (including himself) into these iconic characters from the movie perfectly, obtains incredible performances from them, and blends the comedy and pathos to get them many laughs and tears on their journey. Tony plays George once again and also appeared in that role in the past three versions of this show. A spontaneous standing ovation is their well-deserved reward at the end of the performance.

Huntington and SpeakEasy’s co-production of ‘The Band’s Visit’ Makes the World Go Round

November 21, 2023April 11, 2026 Theater MirrorLeave a comment

Jennifer Apple, Brian Thomas Abraham in the “The Band’s Visit” at the Huntington.
Photos by T Charles Erickson

“The Band’s Visit” — Music and Lyrics by David Yazbek. Book by Itamar Moses. Based on the Screenplay by Eran Kolirin. Directed by Paul Daigneault; Choreography by Daniel Pelzig. Music Direction by José Delgado. Scenic Design by Wilson Chin and Jimmy Stubbs. Costume Design by Miranda Kau Giurleo. Lighting Design by Aja M. Jackson. Sound Design by Joshua Millican. Produced by Huntington Theatre in collaboration with SpeakEasy Stage at 264 Huntington Ave. Boston through December 17.

By Linda Chin

As the house lights go down and the overture (conducted by music director extraordinaire José Delgado) begins, a message is projected on a large-screen: “Once, not long ago, a group of musicians came to Israel from Egypt. You probably didn’t hear about it. It wasn’t very important.” Bookending the production, this message is reiterated at the show’s conclusion by Dina (a dazzling Jennifer Apple), the owner of a café in Bet Hatikvah (a fictional town), Israel, 1996, where an Egyptian police band led by Tewfiq (solidly portrayed by Brian Thomas Abraham) has mistakenly arrived. The next bus doesn’t depart until the next day, and the band is hungry, tired, and stranded.

Huntington, SpeakEasy’s Co-Production “The Band’s Visit” Serves Up A Sublime Slice of Life

November 20, 2023April 11, 2026 Shelley SackettLeave a comment

The cast of “The Band’s Visit” at the Huntington. Photo by T Charles Erickson

By Shelley A. Sackett

The delightful musical “The Band’s Visit” is a welcome breath of air in the current asphyxiating climate surrounding the war between Israel and Hamas. Its focus is a single night in Bet Hatikva, a tiny Israeli town that feels more like a pit stop on the way to someplace more important than a destination.

“You probably didn’t hear about it,” says Dina (played by a magnificent Jennifer Apple in a star-making performance), the proprietor of Bet Hatikva’s only café and its resident narrator and cynic. “It wasn’t very important.”

Exiled Theatre’s ‘Hauntings’ Reveals the Evil Within

November 17, 2023April 11, 2026 Theater MirrorLeave a comment

“Hauntings I Have Lived Through” – Written and Directed by James Wilkinson. Presented by Exiled Theatre at Boston Playwrights’ Theatre, 949 Commonwealth Ave, Boston, through November 19.

by Mike Hoban

Halloween may be over, but that doesn’t mean our love of horror has abated. No, we’re not talking about REAL horrors, like the horrific attack on Israel or the war in Gaza that is now raging, or even Donald Trump’s plans for bringing back early 20th-century European fascism to America if re-elected. The horror we speak of resides where it always does – between our ears, and it’s jolted back to life in Exiled Theatre’s compelling Hauntings I Have Lived Through, now playing at the Boston Playwrights Theatre. Written and directed by Exiled’s co-founder James Wilkinson, Hauntings is three monologues delivered by female narrators, weaving tales from the realm of the supernatural.

ASP’s Not-to-Be-Missed “How I Learned to Drive” Explores Abuse and Memory in a Tour de Force Production

November 9, 2023April 11, 2026 Shelley Sackett2 Comments

Dennis Trainor, Jr. and Jennifer Rohn in Actors’ Shakespeare Project’s *‘How I Learned to Drive’*
(Photo Credit: Nile Scott Studios)

‘How I Learned to Drive’ — Written by Paula Vogel. Directed by Elaine Vaan Hogue. Scenic Design by Baron E. Pugh; Lighting Design by Marcella Barbeau; Costume Design by Marissa Wolf; Sound Design by Mackenzie Adamick. Presented by Actors’ Shakespeare Project at the Roberts Studio Theatre, Calderwood Pavilion, 527 Tremont St., Boston through November 25.

By Shelley A. Sackett

“You and Driver Education — Safety First,” a voice announces as the lights dim. A middle-aged woman steps onto a bare set, composing herself. She turns to face the audience, addressing them as though mid-conversation.

“Sometimes, to tell a secret, you first have to teach a lesson,” she says. “We’re going to start our lesson tonight on an early, warm summer evening.”

So begins Paula Vogel’s brilliant Pulitzer Prize Award-winning play, “How I Learned to Drive,” in which she examines the complicated ways in which we process the trauma, shame, and blame associated with pedophilia and family complicity. If the topic sounds heart-wrenching and heavy, that’s because it is.

Short Take: Blue Man Group Presses the Refresh Button while Keeping the Best of Its Core

November 6, 2023April 11, 2026 Shelley SackettLeave a comment

‘Blue Man Group’ – Created, Written and Directed by Matt Goldman, Phil Stanton and Chris Wink. Lighting Design by Matthew McCarthy; Set Design by David Gallo; Video Design by Caryl Glaab. Presented by Blue Man Productions at The Charles Playhouse, 74 Warrenton St., Boston. Ongoing.

By Shelley A. Sackett

Blue Man Group is a global entertainment phenomenon known for its award-winning theatrical productions, unique characters and multiple creative explorations. With its all-new 2024 show at The Charles Playhouse, it has upped the ante on its high-energy production with new music, two new acts and a finale that feels like a Las Vegas New Year’s Eve celebration, complete with streamers, confetti and bubbles.

At NSMT, Elvis Lives!

November 3, 2023April 11, 2026 Theater MirrorLeave a comment

Cast of “Elvis” at the North Shore Music Theatre. Photo © David Costa Photography

Elvis: A Musical Revolution at North Shore Music Theatre. Book by Sean Cercone and David Abbinanti. Based on a concept by Floyd Mutrux. Direction and Choreography by Kevin P. Hill. Co-Music Direction by Milton Granger and Robert L. Ruckinski. Scenic Design by Kyle Dixon. Costume Design by Travis M. Grant. Lighting Design by Jack Mehler. Sound Design by Alex Berg. Wig and Hair Design by Rachel Padula-Shufelt. At the North Shore Music Theatre through November 12

by Linda Chin

Whether, like me, you’ve seen Elvis Presley perform his hip-gyrating hits on archival footage, or like my plus one, saw him perform ‘live’ on the Ed Sullivan Show on black and white TV in 1956, you’re in for a fun time at NSMT. Their current production of Elvis: A Musical Revolution features over 40 of his songs, a terrific 9-piece orchestra, a 29-member company of triple-threats, and a breakout performance by Dan Berry as the King. And unlike watching Elvis on the screen, in this theater-in-the-round – where you’re never more than 15 rows from the stage – you’ll see the actors in full form, live and up close – and not just visible from the waist up.

“A Christmas Carol” Returns to Trinity Rep

November 1, 2023April 11, 2026 Theater MirrorLeave a comment

Cast of “A Christmas Carol” at Trinity Rep. Photos by Mark Turek.

Reviewed by Tony Annicone

Trinity Repertory Company ushers the holiday season in with their presentation of their 47th production of “A Christmas Carol” by Charles Dickens, adapted by Adrian Hall and Richard Cumming. This is Trinity’s third show of its 60th season. This show’s underlying themes of charity, forbearance, and benevolence are universal. They are equally relevant to people of all religions and backgrounds, especially now with the upcoming 2024 election being upended by the former, four times indicted and arrested, as well as twice impeached ex-president. Also, because of his impending and ongoing trials about the Insurrection of the Capital on January 6th, of the stolen top-secret documents and being found guilty of assault and defamation as well as being found guilty of fraud and the still contentious climate of this country and disorder in the congress about the debt ceiling limit. “A Christmas Carol” is about the curmudgeonly miser, Ebenezer Scrooge, who is visited by the ghosts of Marley, Christmas Past, Present and Yet to Come who hope to change his destiny and save his soul to ultimately discover the true meaning of Christmas.

MRT’s Psychological Thriller ‘Gaslight’ a Portrait of Courage in the Face of Evil

November 1, 2023April 11, 2026 Theater MirrorLeave a comment

Jim Hopkins, Kristin Yancy, and Karen MacDonald in MRT’s ‘Gaslight’

‘Gaslight’ – Based on the play by Patrick Hamilton. Adapted for the stage by Steven Dietz. Directed by Courtney Sale; Scenic Design by Samantha Reno; Lighting Design by Laura Glover; Costume Design by Rainy Edwards; Sound Design by Robert Carlton Stimmel. Produced by Merrimack Repertory Theater in partnership with the Cincinnati Shakespeare Company at the Nancy L. Donahue Theatre at Liberty Hall, 50 E. Merrimack St., Lowell, through November 5.

By Mike Hoban

There could hardly be a more fitting time for a play entitled Gaslight, given that we are now living in a world that asks us to bend reality to suit our own cultural and political beliefs rather than to believe what we see and hear with our own eyes and ears. This engaging production is also a reminder of the courage it takes to fight back against the forces of evil, whether it’s on a personal or global scale, and that fight is vital to our very survival.