‘Pretty Woman the Musical’ Will Make You Forget There Ever Was a Movie Version

February 29, 2024April 11, 2026 Shelley SackettLeave a comment

Cast of ‘Pretty Woman’ at Emerson Colonial

“Pretty Woman the Musical” — Written by Garry Marshall and J.F. Lawton. Music and Lyrics by Bryan Adams and Jim Vallance. Based on the Touchstone picture written by J.F. Lawton. Direction and choreography by Jerry Mitchell, recreated by DB Bonds and Rusty Mowery; Music Supervision, Arrangements and Orchestration by Will Van Dyke; Scenic Design by Christine Peters; Costume Design by Gregg Barnes; Lighting Design by Kenneth Posner and Philip S. Rosenberg; Sound Design by John Shivers. Presented by Crossroads Live at the Emerson Colonial Theatre, 106 Boylston St., Boston, through March 3.

By Shelley A. Sackett

Pretty Woman the Musical is much more than a theatrical remake of the 1990 rom-com film that launched the career of then-21-year-old Julia Roberts and her trademark mile-wide smile. The big-budget Broadway show stands on its own as a supremely enjoyable night of big pageantry, from the live orchestra, fabulous set, choreography, and humor to the terrific cast, who sing and dance their hearts out for two and a half hours (one intermission).

Hunger for Love, Laughter, and Life in Lyric Stage’s ‘THIRST’

February 28, 2024April 11, 2026 Theater MirrorLeave a comment

Michael Kaye and Aimee Doherty in ‘Thirst’ at The Lyric. Photos by Mark S. Howard

Lyric Stage of Boston presents THIRST by Ronán Noone. Directed by Courtney O’Connor. Scenic Design by Janie E. Howland. Lighting Design by Karen Perlow. Costume Design by Mikayla Reid. Sound Design by David Remedios. Lyric Stage of Boston, Clarendon Street, Boston, through March 17, 2024.

By Linda Chin

Unlike Eugene O’Neill’s play Thirst (1914), about three people who are on a raft after a shipwreck – the Titanic – and dying of thirst, the three characters in Ronán Noone’s new play with the same title are inside a well-appointed kitchen in the seaside Connecticut home of the Tyrones (the well-to-do Irish family of O’Neill’s Long Day’s Journey Into the Night) – and have plenty to drink. In Noone’s Thirst, the three featured characters are not the Tyrones themselves but three servants in their employ.

P. Carl Invites the Audience on His Gender Transition Journey in the A.R.T.’s ‘Becoming a Man’

February 26, 2024April 11, 2026 Shelley SackettLeave a comment

Stacey Raymond, Petey Gibson in A.R.T.’s ‘Becoming a Man’
Photos by Nile Scott Studios and Maggie Hall

‘Becoming A Man’ — Written by P. Carl. Co-directed by Dianne Paulus and P. Carl. Scenic Design by Emmie Finckel; Costume Design by Qween Jean; Lighting Design by Cha See; Music and Sound Design by Paul James Prendergast; Video Design by Brittany Bland. Presented by the A.R.T. at the Loeb Drama Center, 64 Brattle St., through March 10.

By Shelley A. Sackett

P. Carl, an acclaimed educator, dramaturg, and writer, lived for 49 years as Polly, a woman who believed she had been born into the wrong body. The last 20 years were spent as a lesbian in a queer marriage to Lynette D’Amico, a writer and editor. Lynette had no idea the queer woman who was her wife suffered gender dysphoria, a condition that can — and in Polly’s case, did — lead to depression and anxiety and have a harmful impact on daily life.

A Stunning ‘Steel Pier’ Marks Sullivan Rep’s Dazzling Debut

February 21, 2024April 11, 2026 Theater MirrorLeave a comment

Sullivan Rep presents ‘Steel Pier’ – Book by David Thompson. Music & Lyrics by John Kander and Frank Ebb. Conceived by Scott Ellis, Susan Stroman, and David Thompson. Direction & Choreography by Daniel Sullivan. Musical Direction by J. Kathleen Castellanos. Lighting Design by Erik Fox. Props Design by Rick Grenier. Costume Design by DW. Hair/Makeup Design by Cara Guappone. Projection Design by Jacob Sherburne. Sound Design by Paul Roach.

By Linda Chin

Less known – and less produced – than Cabaret, Chicago, and other Kander & Ebb Broadway classics, Steel Pier proves to be the perfect choice for Sullivan Rep’s dazzling debut in the Greater Boston theater ecosystem. The new Newton-based company has also selected a perfect location – the American Legion Nonantum Post 440 – host to countless family celebrations and community events since receiving its charter in 1952 – for staging this show-within-a-show about the dance marathon craze that swept the nation post-WWI. Part staged performance and part genuine endurance contest, couples would dance/walk for 45 minutes of each hour, take a 15-minute break to eat/nap, and rinse and repeat for as many hours, days, and weeks as it took until there was one couple left standing to claim the cash prize. These events were held across the country, peaking during the Depression era in the ‘30s. Sullivan Rep’s founder and artistic director, Daniel Sullivan (also in his 30s and a talented actor, singer, and dancer himself), directs and choreographs a cast of nearly 30 other triple threats from the Greater Boston area.

The Huntington’s Must-See ‘John Proctor Is the Villain’ Conjures Pure Theatrical Magic

February 21, 2024April 11, 2026 Shelley SackettLeave a comment

Isabel Van Natta, Jules Talbot, Victoria Omoregie, Haley Wong in ‘John Proctor is the Villain’ at The Huntington. Photo Credit: T Charles Erickson

‘John Proctor Is the Villain’ — Written by Kimberly Belflower. Directed by Margot Bordelon. Scenic Design by Kristen Robinson; Costume Design by Zöe Sundra; Lighting Design by Aja M. Jackson; Sound Design by Sinan Reflik Zafar. Presented by The Huntington at Performing at the Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through March 10, 2024.

By Shelley A. Sackett

In 1692, a witchcraft panic in Salem, Massachusetts, led to the conviction and execution of 19 innocent people (14 women and five men) for a crime that not only was never committed but that never happened in the first place.

A mixture of irrational fear, unchecked religious and patriarchal power, and a persecuting mentality led to the emergence of witch hunts and subsequent witch trials.

Arthur Miller fictionalized and immortalized this historical event in 1953 with The Crucible, a mainstay of most high school English Literature curricula. He intended it as an allegory for and indictment of the rabid McCarthyism of the 1950s, when the U. S. government blithely persecuted citizens accused of being communists based, often, on nothing more than innuendo and hearsay.

Feminists Get the Green Light in The Huntington’s ‘John Proctor is the Villain’

February 20, 2024April 11, 2026 Theater MirrorLeave a comment

Cast of ‘John Proctor is the Villain’ at The Huntington. Photo Credit: T Charles Erickson

The Huntington presents ‘John Proctor is the Villain.’ Written by Kimberly Belflower. Directed by Margot Bordelon. Scenic Design by Kristen Robinson. Costume Design by Zoë Sundra. Lighting Design by Aja M. Jackson. Sound Design by Sinan Refik Zafar. At the BCA’s Calderwood Pavilion through March 10, 2024.

by Linda Chin

The Huntington’s provocative John Proctor is the Villain, by playwright Kimberly Belflower, is set in the present day, in a small – and small-minded – town in Appalachian Georgia. Four female students of diverse backgrounds, frustrated/inspired by discussions in their co-ed 11^th grade Honors English/Sex-Education class centered on male heroes in The Crucible and scientific descriptions of sex, are eager to start a new ‘Feminism Club.’ Not surprisingly, the teenagers have different definitions of what “feminism” means and “feminists” are, different (and evolving) understandings of why it matters, and what the club’s purpose would be. The four young feminists are all on board to be the club’s founders, but will the School Board of the one-stoplight town give them the green light?

A Crisis of Human Loneliness in SpeakEasy’s ‘A Case for the Existence of God’

February 5, 2024April 11, 2026 Theater MirrorLeave a comment

Jesse Hinson and De’Lon Grant in Speakeasy Stage’s *“A Case for the Existence of God”.*
Photos: Nile Scott Studios

‘A Case for the Existence of God’ written by Samuel D. Hunter. Directed by Melinda Lopez. Scenic Design by Cristina Todesco. Costume Design by KJ Gilmer. Lighting Design by Elmer Martinez. Sound Design by Audrey Dube. Performing at the Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through February 17, 2024.

By Linda Chin

Playwright Samuel D. Hunter’s A Case for the Existence of God is set in Twin Falls, Idaho (population 51,807 and racial makeup 88.5% White, 0.7% African American), in the present or recent past. The municipal seal includes an illustration of the pair of waterfalls that gave the city its name, and with acres of natural beauty in abundance, Twin Falls and this area of south-central Idaho is often referred to as “God’s Country” – full of spirituality and soul, presumably where dreams are fulfilled, and hearts uplifted. The city’s motto, People Serving People, is borne out by institutions and businesses sizable and small, including a yogurt factory and supermarkets, banks and a mortgage company, schools, and a daycare center. But like most Americans in the present or recent past, many Twin Falls residents are suffering from a crisis of human loneliness.

Campy ‘Evil Dead the Musical’ Delivers Comic Gore, Laughs

February 3, 2024April 11, 2026 Theater MirrorLeave a comment

Evil Dead the Musical: The HD Tour – Book and Lyrics by George Reinblatt;Music by Frank Cipolla, Christopher Bond, Melissa Morris & George Reinblatt; Additional Lyrics by Christopher Bond; Additional Music by Rob Daleman; Based on characters created by Sam Raimi. Presented Roshi Entertainment in a special arrangement with Renaissance Pictures LTD & StudioCanal at the Boston Center for the Arts Plaza Theatre, 539 Tremont St., Boston, through February 25

by Mike Hoban

Broadway has a history of turning pretty good movies into bad musicals. Think Spider-Man: Turn Off the Dark (ironically based on the 2002 Spider-Man movie by Sam Raimi, who also wrote and directed the Evil Dead movies on which Evil Dead the Musical is based) and too many others to count. But Off-Broadway had huge success turning a bad/campy horror movie into a stage success with Little Shop of Horrors. And while Evil Dead the Musical doesn’t quite reach those heights of artistic excellence, it’s a whacked-out good time – especially for fans of the cult classic movies.

Tone-Perfect ‘A Case for the Existence of God’ Finds the Sacred in the Profane

January 31, 2024April 11, 2026 Shelley Sackett1 Comment

“A Case for the Existence of God” — Written by Samuel D. Hunter. Directed by Melinda Lopez. Presented by SpeakEasy Stage Company at the Calderwood Pavilion, 527 Tremont Street, Boston, through February 17.

By Shelley A. Sackett

Once upon a time, there were two men who seemed to have little in common except their geographic histories in Twin Falls, Idaho, and the fact that their toddler daughters attend the same daycare.

Keith, a Black, gay mortgage broker, grew up living in a “nice house” in an intact family. His father, a lawyer, shared his love of travel with his children, exposing them to exotic places like Estonia at a young age. Keith is clearly in Twin Falls by choice. He even went away to college, earning a dual degree in Early Music and English, and returned. To Twin Falls. To be a mortgage broker.

‘Liv at Sea’ Navigates Emotional Tsunamis in a Pitch Perfect Production

January 27, 2024April 11, 2026 Shelley Sackett4 Comments

“Liv at Sea” — Written and directed by Robert Kropf. Presented by Harbor Stage Company at Boston Center for the Arts, 539 Tremont St., Boston, through January 28.

By Shelley A. Sackett

Who among us has never wondered about what our lives might have been like if, like Robert Frost’s famous protagonist, we had chosen the road less traveled when our path diverged into two? Did we choose wisely? Given the chance to relive that pivotal moment, would we again choose the security and comfort of the path we know or risk all on the thrill of the other, the unknown?