Short Take: “Her Portmanteau” is a Moving Paean to the Strength of Family

April 6, 2025April 10, 2026 Michele MarkarianLeave a comment

Jade A. Guerra, Lorraine Victoria Kanyike in Central Square Theater and The Front Porch Arts Collective’s “Her Portmanteau”. Photos by: Maggie Hall Photography

“Her Portmanteau” by Mfoniso Udofia. Directed by Tasia A. Jones. Co-produced by Central Square Theater and The Front Porch Arts Collective, , 450 Massachusetts Avenue, Cambridge, through April 20th.

By Michele Markarian

I was hesitant about seeing this piece, the fourth in a series of nine under the umbrella of the Ufot Family Cycle by Mfoniso Udofia, as I hadn’t seen the other plays, and its length – an hour and forty-five minutes without an intermission – was off-putting. From the very beginning, when Jade A. Guerra, as Iniabasi Ekpeyong walks onto the stage with a suitcase and an air of wariness, I was completely sucked in. An hour and forty-five minutes never went by so quickly, as the rest of the audience and I were pulled into one of the more compelling, well-written, and well-acted family dramas this season.

Short Take: A Taut, Fraught and Entertaining “Art” at the Lyric

February 25, 2025April 10, 2026 Michele MarkarianLeave a comment

Michael Kaye, John Kuntz and Remo Airaldi in Lyric Stage’s ‘Art’. Photo Credit: Mark S. Howard

‘Art’ by Yasmina Reza. Translated by Christopher Hampton. Directed by Courtney O’Connor. Scenic Design by Shelley Barish. Costume Design by Chelsea Kerl, Lighting Design by Elmer Martinez. Sound Design by Adam Howarth. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, through March 16.

By Michele Markarian

Longstanding friendships are based on commonalities – like income bracket, hobbies, artistic sensibilities, mutual support, and admiration. With Art, playwright Yasmin Reza turns her observational lens on male friendship and the emotional chaos that happens when one man goes rogue and throws the rest of the group off-kilter.

Short Take: “The Look of Love” Is a Delightful Antidote to the Winter Blahs

January 27, 2025April 10, 2026 Michele MarkarianLeave a comment

“The Look of Love” by Mark Morris Dance Group. Choreographed by Mark Morris. Music by Burt Bachrach. Lyrics by Hal David. Music Direction by Colin Fowler. Presented by Arts Emerson, Emerson Cutler Majestic Theatre, 219 Tremont Street, Boston, through January 26.

By Michele Markarian

Admittedly, I was not in the zippiest frame of mind when I entered the Emerson Cutler Majestic Theatre the other night – the climate, both in Massachusetts and the nation, was feeling chilly. We settled into Ethan Iverson’s thoughtful, regretful piano rendition of “Alfie,” after which the curtain parted, and the ten dancers entered, dressed in Isaac Mizrahi’s colorful unisex clothing – think Rowan and Martin’s “Laugh-In” with regards to the colors – and carrying pieces of the simple set while gamboling lightly to an upbeat rendition of “What the World Needs Now.” They were smiling. And just like that, my mood was lifted. And stayed that way throughout the rest of the hour-long performance, which was aided by live musicians and two wonderful vocalists, Blaire Reinhard and Clinton Curtis.

Short Take: Moonbox’s “The Thanksgiving Play” Serves Up Lukewarm Fare

November 27, 2024April 10, 2026 Michele MarkarianLeave a comment

Cast of Moonbox’s “The Thanksgiving Play”. Photo Credit – Sharman Altshuler

By Michele Markarian

“The Thanksgiving Play” by Larissa Fasthorse. Directed by Tara Moses. Presented by Moonbox Productions, One Arrow Street, Cambridge, through December 15.

“The Thanksgiving Play,” the author of whom is the first Native woman to be produced on Broadway, is the perfect satire for the times. A well-intentioned white couple, Logan and Jaxton (Jasmine Goodspeed and Johnny Gordon, respectively), are planning on writing and staging a Thanksgiving play for an elementary school, which will hopefully defy all of the awful, Native-canceling and falsehoods traditionally associated with the holiday and present a more truthful history. Logan has even gone so far as to hire a woman who she thinks is a Native actress, Alicia (Marisa Diamond) to help with script development. A starstruck teacher from another school, Caden (Ohad Ashkenazi), has volunteered to join the project, as he is impressed with the marginal credentials of Logan and Jaxton and considers it a privilege to work with them. Despite their good intentions, the four characters can’t conceal their cultural biases or the fact that none of them have any clue on how to think outside their own privilege. The satire lies in their earnestness and their frustration with the burgeoning knowledge that they really don’t – and can’t – get it. The action is punctuated by the actors, as children, singing culturally insensitive Thanksgiving songs that Fasthorse culled from real sources.

Short Take: A Fascinating and Frustrating “Galileo’s Daughter”

November 22, 2024April 10, 2026 Michele MarkarianLeave a comment

Diego Arciniegas and Sandra Seoane-Serí in Central Square’s ‘Galileo’s Daughter’
Photos: Maggie Hall.

By Michele Markarian

“Galileo’s Daughter” – Written by Jessica Dickey. Directed by Reena Dutt. Presented by Central Square Theater and WAM Theatre, 450 Massachusetts Avenue, Cambridge, through December 8.

“A play is a very good way to learn something”, says Maria Celeste to her father, Galileo. We learn that Galileo, in addition to being a scientist, has fathered three illegitimate children; his alleged favorite, Maria Celeste, was the one (at least in the play) most interested in his work. One hundred and twenty-four letters survived between father and daughter, and in the year 2015, a writer (Caroline Kinsolving) has traveled to Italy, to the Museo Galileo, to research them for a play she is writing. In her backpack are also divorce papers that she seems unwilling to sign.

Short Take: Moonbox’ “Dirty Rotten Scoundrels” a Delightful Romp On the French Riviera

October 2, 2024April 10, 2026 Michele MarkarianLeave a comment

Matthew Zahnzinger and Julius P. Williams in Moonbox Production’s “Dirty Rotten Scoundrels”
Photos by Molly Shoemaker

by Michele Markarian

“Dirty Rotten Scoundrels”. Music and Lyrics by David Yazbek. Book by Jeffrey Lane. Directed by Allison Olivia Choat. Presented by Moonbox Productions, One Arrow Street, Cambridge, through Oct. 20.

There’s a lot to love – and a ton of talent – in Moonbox Productions’ “Dirty Rotten Scoundrels,” a musical tale of three con artists looking to grift off of the well-to-do in the fictional town of Beaumont sur Mer on the French Riviera. Based on the 1988 film with Steve Martin, Michael Caine and Glenne Hedley (actually a remake of a film from 1964 called “Bedtime Story”), “Dirty Rotten Scoundrels” was made into a Broadway musical that opened in 2005 and starred John Lithgow, Norbert Leo Butz and Sherie Rene Scott. Having enjoyed the 1988 film and the Broadway musical, I went to see the Moonbox production with high expectations. With strong direction, an excellent cast, and a wonderful ensemble of singers and dancers, it did not disappoint.

Short Take: Hightail It To Teatro Chelsea & Gloucester Stage’s ‘The Hombres’

September 13, 2024April 10, 2026 Theater MirrorLeave a comment

The cast of ‘The Hombres’ at Gloucester Stage. Photos by John Grow Photography.

‘The Hombres’ – Written by Tony Meneses. Directed by Armando Rivera. Movement Design by Nathaniel Justiniano. Set Design by Kristin Loeffler. Costume Design by Chelsea Kerl. Lighting Design by John Holmes. Sound Design by Julian Crocamo. Properties Design by Carolyn Ferris. Presented by Teatro Chelsea & Gloucester Stage Company at 267 E. Main St., Gloucester, MA through September 22. At Chelsea Theatre Works, 189 Winnisimmet St., Chelsea, MA from September 27-29, 2024.

by Linda Chin

Humorous and light-hearted, at times heavy (but never heavy-handed), alternately heartwarming and heartbreaking, playwright Tony Meneses’ The Hombres tells a story of five ordinary men that is exquisitely written and extraordinarily human throughout.

Strange and Beautiful “Preludes” Enchants at the Lyric

January 11, 2023January 11, 2023 Theater MirrorLeave a comment

by Michele Markarian

‘Preludes – Music, Lyrics, Book and Orchestrations by David Malloy. Directed by Courtney O’Connor. Music Direction by Dan Rodriguez. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston through February 5.

Where does creative inspiration come from? The heart? The mind? Are artists the instruments, or merely vessels for what can only be called divine? A blocked Rachmaninoff (the excellent and brooding Dan Prior) is told, “Virtuosity has its moments, but if you want to be truly great, use more…silence.” Silence and its space create room and stillness for ideas to flow through the subconscious. If you’ve ever wondered about the nature of creativity and the role of the artist, this is the play for you.