CSC’s ‘As You Like It’ Breathes Fresh Air into the Bard’s Timeless Tale

August 5, 2025April 8, 2026 Shelley SackettLeave a comment

Cast of CSC’s ‘As You Like It’. Photos by Nile Scott Studios

‘As You Like It’ — Written by William Shakespeare. Directed by Steven Maler. Scenic Design by Riw Rakkulchon; Costume Design by Miranda Giurleo; Lighting Design by Eric Southern; Sound Design by Aubrey Dube. Presented by Commonwealth Shakespeare Production on Boston Common through August 10.

By Shelley A. Sackett

Boston is a garden of many earthly delights, but none more eagerly awaited and appreciated than Commonwealth Shakespeare Company’s Free Shakespeare on the Common that, for 29 years, has invited people to lay down a blanket, bring a picnic dinner, and enjoy top-notch theater on Boston Common under a starry crescent-mooned sky.

Hub Theatre’s ‘The Understudy’ Searches For Its Light

July 27, 2025April 8, 2026 Charlotte SnowLeave a comment

Kevin Paquette, Lauren Elias, and Cristhian Mancias-Garcia in Hub Theatre’s ‘*The Understudy’*

‘The Understudy’ — Written by Theresa Rebeck. Directed by Paula Plum. Scenic Design by Peyton Tavares. Projections Design by Justin Lahue. Sound Design by Gage Baker. Lighting Design by Emily Bearce. Costume Design by Kara McGuinness. Presented by Hub Theatre Company of Boston at Club Café, 209 Columbus Ave., Boston, through August 2.

By Charlotte Snow

There is no harder play to write than one with three persons. It’s tough to balance roles, hard to envision blocking properly, and there’s a reason the adage of ‘three is a crowd’ exists. However, when a script manages to juggle three-person scenes properly, they end up being some of the best in the theatrical canon (think Glass Menagerie, Red Light Winter, This is Our Youth, Proof, Agnes of God, The Flick, Angels in America, the list goes on). Do I believe Theresa Rebeck’s ‘The Understudy’ deserves to join that list? Not quite. However, the Hub Theatre Company must be commended for the incredible effort in making the case. 

Harbor Stage’s Darkly Brilliant ‘Death of a Salesman’ is Not Your Typical Summer Fare

July 23, 2025April 8, 2026 Theater MirrorLeave a comment

William Zielinski and Stacy Fischer in Harbor Stage Company’s ‘Death of a Salesman’
Photos by Joe Kenehan

‘Death of a Salesman’ – Written by Arthur Miller. Directed by Robert Kroft; Scenic Design by Justin Lahue; Lighting Design by John Malinnowski; Projection Design by Justin Lahue and Katherine Wittman. Presented by Harbor Stage Company, 15 Kendrick St., Wellfleet, through August 2.

By Mike Hoban

One of the driving forces behind the 1960s counterculture movement was the realization that the metrics used to measure success in American life were fundamentally flawed – that the American Dream was, for many, bullshit. Expecting to be rewarded for loyalty to a company, believing that money could buy happiness, trusting that fidelity and mutual respect were inherent in a marriage, and buying into the myth that America was the moral compass for the world were all wonderful ideals, but ones that often failed to meet the unforgiving test of reality. There are few works that better exemplify that school of thought than Arthur Miller’s Death of a Salesman, now being given a darkly brilliant staging by the Harbor Stage Company in Wellfleet.

A Peek Behind The Backstage Curtain in Hub Theatre Co.’s Funny, Poignant ‘The Understudy’

July 21, 2025April 8, 2026 Shelley SackettLeave a comment

‘The Understudy’ — written by Theresa Rebeck. Directed by Paula Plum. Scenic Design by Peyton Tavares; Projections Design by Justin Lahue; Sound Design by Gage Baker; Lighting Design by Emily Bearce. Presented by Hub Theatre Company of Boston at Club Café, 209 Columbus Ave., Boston, through August 2.

By Shelley A. Sackett

Playwright Theresa Rebeck’s smart, funny, snarky The Understudy takes us straight into the belly of the beast known as “Broadway Theater.” (Rebeck also penned the smash TV series, “Smash.”) Set backstage during an understudy rehearsal for The Castle, a fictitious long-lost play by Franz Kafka, the three-hander starts with a five-screen surround projection of close-ups of a Clint Eastwood-esque guy’s stubbled face. He mugs and does a macho muscled vamp, screaming “Get in the truck!” menacingly. Eventually, the film’s title (“Trucknado”) blazes across the screen as a booming voice warns, “Stay low or drive high.”

Two Unlikely Buddies Talk Trash in Gloucester Stage’s Clever Comedy, ‘The Garbologists’

July 10, 2025April 8, 2026 Shelley SackettLeave a comment

Paul Melendy and Thomika Marie Bridwell in Gloucester Stage Company’s “The Garbologists.”
Photos by Shawn G. Henry

‘The Garbologists’ — Written by Lindsay Joelle. Directed by Rebecca Bradshaw. Presented by Gloucester Stage Company at 267 East Main St., Gloucester, through July 26.

By Shelley A. Sackett

Rebecca Bradshaw, Producing Artistic Director of Gloucester Stage Company and director of its first-rate The Garbologists, couldn’t have timed it better. With Republic Services sanitation workers in the second week of their strike, garbage is on everyone’s mind as bags pile up on the North Shore and throughout Greater Boston.

Witch Hunt Theatre’s ‘BUG’ Infests the Mind with Horrific Delight

July 3, 2025April 8, 2026 Charlotte SnowLeave a comment

Chloe Kolbenheyer, Lucas Connor in Witch Hunt Theatre’s ‘BUG’

‘Bug’ – Written by Tracy Letts. Directed by Taylor Stark. Starring and creative contributions from: Ty Hendrix, Chloe Kolbenheyer, Lucas Connor, Jack Essner, and Jen Platt. Witch Hunt Theatre’s ‘Bug’ ran from June 26th – June 29th.

By Charlotte Snow

One of the many reasons I never liked watching sports is that the act of being a spectator always makes me want to play rather than be cooped up, sitting in the bleachers. Conversely, I develop the same urge when I watch live theatre – with the difference being that I’m reasonably good at theatre and I would get dismembered if I attempted any sport. So you can imagine how amped up I felt watching Witch Hunt Theatre’s immersive and site-specific production of Tracy Letts’ Bug. 

Arlekin Players ‘Our Class’ Exposes the Danger of Erasing the Past and Repressing the Truth

June 19, 2025April 8, 2026 Theater MirrorLeave a comment

Cast of Arlekin Players’ ‘Our Class’. Photos by Irina Danilova

Arlekin Players presents Our Class. Written by Tadeusz Slobodzianek. Adapted by Norman Allen. Directed by Igor Golyak. Scenic Design by Jan Pappelbaum. Costume Design by Sasha Ageeva. Lighting Design by Jeff Adelberg. Sound Design by Ben Williams. Projection and Video Design by Eric Dunlap, Igor Golyak with Andrea Mincic. Choreography by Or Schraiber. At Boston Center for the Arts, Calderwood Pavilion, 527 Tremont Street, Boston, through June 22nd.

By Linda Chin

With four 2024 Lucille Lortel Awards (Outstanding Revival, Director, Ensemble, Scenic Design) for its Off-Broadway premiere of Our Class in hand, Arlekin Players’ artistic director, Igor Golyak and producing director Sara Stackhouse have brought their production home to Greater Boston for audiences to “enjoy”. The play’s limited run at the BCA during June – Immigration Heritage Month – is timely given the 15-year-old Needham-based company’s history as an ensemble of immigrants from countries in the former Soviet Union. Written by Tadeusz Slobodzianek and adapted by Norman Allen, Our Class follows the stories of ten Polish classmates, half Jewish and half Catholic, who lived together in the small village of Jedwabne across eight decades of the 20th century.

‘Our Class’ Confronts And Challenges Revisionist History

June 19, 2025April 8, 2026 Shelley SackettLeave a comment

‘Our Class’ – Written by Tadeusz Słobodzianek. Adapted by Norman Allen. Directed by Igor Golyak. Staged by Arlekin at the Calderwood Pavilion at Boston Center for the Arts, Boston, through June 22.

By Shelley A. Sackett

No one can take his audience on an emotional and artistic roller coaster like Igor Golyak, founder and artistic director of Arlekin Players Theatre & Zero Gravity (Zero-G) Theater Lab. With “Our Class,” in production through June 23 at the Calderwood Pavilion, he introduces us to characters we initially relate to and bond with, spins an artistically ingenious cocoon, and then tells a tale that rips our heart to shreds and leaves us too overwhelmed to even speak.

Theatre@First’s ‘The Tempest’ Brews Its Charm

June 15, 2025April 8, 2026 Charlotte SnowLeave a comment

‘The Tempest’ – William Shakespeare. Directed by Elizabeth Hunter. Stage Management by Lex Bryan. Movement Direction by Daniel Abraham. Costume Design by Carolyn Jones. Hair and Makeup Design by Jeanné Callinan. Theatre@First’s, ‘The Tempest’ runs from June 6th – June 22nd, with rain dates on June 27th – June 29th, at Nathan Tuft’s Park at Powderhouse Circle, 850 Broadway, Somerville, MA, 02144.

By Charlotte Snow

Shakespeare in the park is a time-honored tradition among English Lit nerds, parents dragging teenagers to see “something cultured,” and theatre-makers alike. The factors that stop audiences dead in their tracks from going to are 1.) it’s Shakespeare and 2.) there’s always a chance that it could be BAD Shakespeare. (We all have some idea, or flashback, as to how bad BAD Shakespeare can truly be.) Thankfully for all, Theatre@First’s fails to disappoint and their production of ‘The Tempest’ casts a spell over its audience. 

‘Bull in a China Shop’ Brings A Powerhouse Feminist to Life

June 15, 2025April 8, 2026 Shelley SackettLeave a comment

Cast of Treehouse Collective’s ‘Bull in a China Shop’. Photos: Brian Higgins

‘Bull in a China Shop.’ Written by Bryna Turner. Directed by Lisa Tierney. Stage Manager – Nicole O’Keefe; Lighting Designer – Dan Clawson; Set Designer – Britt Ambruson; Sound Designer/Sound and Light Op – Dannie Smith. Presented by The Tree House Collective at Abbott Memorial Theatre at Hovey Players, 9 Spring St., Waltham through June 29.

By Shelley A. Sackett

Mary Emma Woolley may be the least-known important historical figure you’ve never heard of. A radical feminist, education reformer and suffragette, she served as president of Mount Holyoke College from 1900 to 1937. She also lived a fairly openly lesbian life and shared a life-long partnership with Jeannette Marks, her former student and a firebrand academic revolutionary and writer.