Category: Plays

CST’s ‘Silent Sky’ Aims for The Stars But Falls Short

Shelley SackettLeave a comment
Lee Mikeska Gardner, Jenny S. Lee, Erica Cruz Hernández in Central Square’s ‘Silent Sky’
Photos by Nile Scott Studios

‘Silent Sky.’ Written by Lauren Gunderson. Directed by Sarah Shin. Scenic Design by Qingan Zhang; Costume Design by Leslie Held; Lighting Design by Eduardo M. Ramirez; Sound Design and Composition by Kai Bohlman. A Catalyst Collaborative@MIT Production. Presented by Central Square Theater, 450 Massachusetts Ave., Cambridge through October 5.

By Shelley A. Sackett

Lauren Gunderson’s career as a playwright (she is also a screenwriter and short story author) has largely focused on stories about iconoclastic women in history, science and literature. She is one of the top 20 most produced playwrights in the country, with over twenty plays produced. (Lyric Stage Boston’s 2022 production of her The Book of Will was a knockout).

With Silent Sky, a Catalyst Collaborative@MIT Production presented by Central Square Theater through October 5, she turns her attention to the story of Henrietta Swan Leavitt, a young astronomer whose scientific brilliance and curiosity led to her discovery of the relationship between luminosity and the period of Cepheid variables (a star that pulsates).

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Wilbury Theatre Group’s ‘From Here to Where’ Offers Strangely Fascinating Reflections on Being Alive

Julie-Anne WhitneyLeave a comment
Cast of Wilbury Theatre Group’s ‘From Here to Where’. Photos by Erin X. Smithers

From Here to Where (world premiere), Book by Umberto Crenca, Music by The Gillen Street Ensemble; Video Design by Jacob Dixon, Lighting Design by Andy Russ, Set Design by Monica Shinn, Stage Managed by Maxime Hendrikse Liu. Produced by Wilbury Theatre Group (WTG) at 475 Valley Street in Providence, RI. Plays through October 5, 2025.

by Julie-Anne Whitney

When you walk through the door at the Wilbury Theatre, you are drawn in by the soulful, bluesy, rock-like sounds of The Gillen Street Ensemble (GSE), a Providence-based music collaborative. You have been invited to their basement jam session, which has a definite mood. The vibe is loose and cool as the musicians playfully improvise. In this basement of curiosities, designed by Monica Shinn, you find many strange and quirky objects: a dinosaur-sized egg on wheels, a rubber chicken, a comically large skeleton, a giant light bulb, a megaphone, a gong, and dozens of other unusual items. What does this mean, you wonder. What is this about?

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SpeakEasy’s Outstanding ‘Primary Trust’ Simmers Slowly Until It Boils Over

Shelley SackettLeave a comment
David J. Castillo, Luis Negrón and Arthur Gomez in Speakeasy’s “Primary Trust”.
Photos by Benjamin Rose

‘Primary Trust’ — Written by Eboni Booth. Directed by Dawn Simmons. Scenic Design by Shelley Barish; Lighting Design by Karen Perlow; Costume Design by Chelsea Kerl; Sound Design by Anna Drummond. Presented by SpeakEasy Stage Company at Boston Center for the Arts, 527 Tremont St., Boston through October 11.

By Shelley A. Sackett

Like homesickness and old age, some things just “creep up” on us. A feeling that might start suddenly and imperceptibly, the sensation gradually builds until reaching a tipping point, after which we are acutely aware of and significantly affected by it.

Such is the case with SpeakEasy’s first production of the 2025/2026 season, Primary Trust, now enjoying a long run through October 11 (so there’s plenty of time to catch this gem).

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“The Hills of California” Offers Family Dysfunction and Healing

Michele MarkarianLeave a comment
Meghan Carey, Kate Fitzgerald, Alison Jean White, Chloé Kolbenhyer, Nicole Mulready (on floor) in Huntington’s ‘The Hills of California’. Photos by Liza Voll

“The Hills of California”, by Jez Butterworth.  Directed by Loretta Greco.  Presented by The Huntington in association with Berkeley Repertory Theatre, The Huntington, 264 Huntington Avenue, Boston, through October 12.

By Michele Markarian

Full disclosure: I love Jez Butterworth’s writing – psychological without being heavy-handed.  I saw Jerusalem with Mark Rylance in 2011; it was magnificent, as was The Ferryman. The Hills of California is no exception – it is a remarkable and moving work that skillfully weaves the lives of four sisters and their mother through their shaky past and fractured present and makes them whole again.

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Paul Melendy Soars in GBSC’s Fabulous ‘Featherbaby’

Shelley SackettLeave a comment
Gabriel Graetz, Paul Melendy and Liv Dumaine in GBSC’s ‘Featherbaby’

‘Featherbaby’ — Written by David Templeton. Directed by Weylin Symes. Scenic Design by Katy Monthei; Lighting Design by Matt Cost; Costume Design by Deirdre Gerrard; Sound Design by Mackenzie Adamick. 1 hour 45 minutes, one intermission. Presented by Greater Boston Stage Company at 395 Main St, Stoneham, MA, through September 28.

By Shelley A. Sackett

There are not enough words of praise to describe Paul Melendy’s sublime performance as the insightful, unfiltered and outrageously funny trash-talking parrot, Featherbaby, in the eponymous play now running in its co-world premiere through September 28 at Greater Boston Stage Company in Stoneham. If you only see one production this entire season, this is the one that should be at the top of your list.

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GSC’s ‘Ms. Holmes and Ms. Watson’ Delights

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Breezy Leigh, Stephen Shore, Erin O’Sullivan in Gloucester Stage’s ‘Ms. Holmes & Ms. Watson’
Photos by Shawn G. Henry

By C.J. Williams

Gleeful send-up and homage, this gender-swapped Holmesian adventure set in 2021 London, featuring a New Yorker Watson and a cast that clearly delights in the havoc of playing multiple roles at speed (one-man Lestrade-Moriarty-Sleazy Politician, anyone?) Ms. Holmes and Ms. Watson by Kate Hamill is a quirky, funny-bone-prodding sprint for its full two-hour runtime.

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‘My First Ex-Husband’ Spotlights Joy Behar And Divorce’s Light and Dark Sides

Shelley SackettLeave a comment
THE VIEW – The View’s Season 28 Co-host photo shoot – Joy Behar. “The View” airs Monday-Friday, 11am-12noon, ET on ABC. (ABC/JEFF LIPSKY) JOY BEHAR

‘My First Ex-Husband’ — Play by Joyce Behar. Directed by Randal Myler. Presented by The Huntington Selects. Produced by Caiola Productions and Cyrena Esposito. At The Huntington Calderwood, 537 Tremont St., Boston, through September 28.

By Shelley A. Sackett

Joy Behar is familiar to fans of television’s ABC daytime talk show, “The View,” as the co-host with the comedic, acerbic wit. She won an Emmy Award in 2009 and is also known as a sharp-tongued, incisive stand-up comic.

With My First Ex-Husband, her fourth play that ran successfully off-Broadway and is now in production at The Huntington Calderwood through September 28, she will be known to Boston audiences as a playwright as well.

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Eryn O’Sullivan Lifts Gloucester Stage’s ‘Ms. Holmes & Ms. Watson’

Shelley Sackett1 Comment
Breezy Leigh, Stephen Shore, Erin O’Sullivan in Gloucester Stage’s ‘Ms. Holmes & Ms. Watson’

‘Ms. Holmes & Ms. Watson – Apt. 2b.’ Written by Kate Hamill. Directed by Rebecca Bradshaw. Set Design by Kristin Loeffler; Costume Design by Chelsea Kerl; Lighting Design by Deb Sullivan; Sound Design by Julian Crocamo. Presented by Gloucester Stage, 267 East Main St., Gloucester, through September 27.

By Shelley A. Sackett

Playwright and actor Kate Hamill, known for putting a feminist spin on adaptations of classic literature, turns her droll pen on the iconic partnership of Detective Sherlock Holmes and Dr. John Watson in the hit-and-miss Ms. Holmes & Ms. Watson – Apt. 2b, in production at Gloucester Stage through September 27. While set design (Kristin Loeffler), crisp direction (Rebecca Bradshaw), and a captivating Eryn O’Sullivan as Holmes dull the play’s dull edges, its 2-hour, 45-minute (one intermission) length at last Sunday’s matinee was as unwarranted as it was irritating.

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GSC’s Timely ‘No Child…’ Lauds Teachers And Showcases An A+ Solo Performance

Shelley Sackett3 Comments
Valyn Lyric Turner in “No Child …” at Gloucester Stage Company. Photos by Jason Grow Photography

‘No Child…’ — Written by Nilaja Sun. Directed by Pascale Florestal. Scenic Design by Cristina Todesco; Costume Design by Chelsea Kerl; Lighting Design by Amanda Fallon; Sound Design by Jacques Matellus. Presented by Gloucester Stage Company, 267 East Main St., Gloucester through August 23.

By Shelley A. Sackett

Playwright Nilaja Sun’s conventional tribute to the trials and tribulations of our unsung heroes who day after day teach the toughest kids at their toughest ages (high school) in the toughest neighborhoods is must-see theater for one reason— the luminous performance by its solo star, Valyn Lyric Turner.

Playing no fewer than a dozen roles, Turner is a whirling dervish of talent, her physicality and vitality hoisting the play from a ho-hum trope to a true tour de force.

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In Company One’s ‘The Meeting Tree,’ Family Legacy Confronts Memory To Reshape The Future

Shelley SackettLeave a comment
Sarah Elizabeth Bedard and Anjie Parker in Company One’s ‘The Meeting Tree’.
Photos by Annielly-Camargo

‘The Meeting Tree’ — Written by B. Elle Borders. Directed by Summer L. Williams. Dramaturgy by afrikah selah and Ilana M. Brownstein. Scenic Design by Cristina Todesco; Costume Design by Amanda Mujica; Lighting Design by Elmer Martinez; Sound Design by Aubrey Dube. Presented by Company One Theatre in partnership with Front Porch Arts Collective and the City of Boston’s Office of Arts and Culture. At Strand Theatre, Boston through Aug. 9. All tickets are pay-what-you-want.

By Shelley A. Sackett

B. Elle Borders’ The Meeting Tree (her first play) is a bold and effective new work that portrays the story of six generations of women and their interconnected lives as a backdrop for her exploration of bigger ticket issues. For 75 intermission-less minutes, she keeps the audience engrossed with her skillful storytelling that combines a tale of complex, emotionally deep characters with thought-provoking questions that prompt reflection about family history, the legacy of slavery in the United States, and the power of personal connection to overcome history.

In polarized times, Borders seems to ask, is redemption and healing possible? And if it is, at what price?

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