‘Dracula’ – Based on the novel by Bram Stroker. Adapted by Steven Dietz. Directed by Melissa Bernstein. Presented by Newton Theatre Company at Saint John’s Episcopal Church, 96 Otis Street, Newton, MA, through February 8
Review by Shayne F. Gilbert
The Newton Theater Company’s latest offering is the classic gothic story Dracula, featuring a gender-bending twist: Dracula is portrayed by female actor Linda Goetz, who masterfully handles the role in this first-rate interpretation of the Gothic classic.
Alison Jones and Ashley Aldarondo in Trinity Rep’s ‘Someone Will Remember Us’. Photos by Mark Turik.
Reviewed by Tony Annicone
The world premiere of “Someone Will Remember Us” continues the true story of “Boots on The Ground,” which played at Trinity Repertory Company back in 2006 and told of Rhode Islanders deployed in the Iraq War. It examines how the legacy lives on almost twenty years later. This show combines the testimonies of U.S. military veterans, a Gold Star Family, Iraqi civilians, and refugees living in Rhode Island. It examines how the war affected these people then and how they still deal with it all these years later. We see the emotional toll these events had back then and how conflicts in other parts of the globe still concern us today. “Someone Will Remember Us” is the fourth show of Trinity Rep’s 61st season and is well-directed by Christopher Windom. He has his cast members deliver multilayered performances as the residents of this state who were profoundly affected by the Iraqi War. Each of the different groups of people convey their stories and interact with each other in this powerful one-act play written by Deborah Salem Smith and Charlie Thurston. Dr. Michelle Cruz and the two authors create an informative, emotion-packed show that resonates with the audience in a profound manner, especially with the uncertain times that this country is currently facing with the rest of the world, and hopefully will help them and us heal from these traumatic events. This powerhouse production receives a spontaneous standing ovation at the close of the show.
Cristhian Mancinas-García and Parker Jennings in Apollinaire Theatre’s ‘Every Brilliant Thing’ Photos: Danielle Fauteux Jacques
‘Every Brilliant Thing’. Written by Duncan Macmillan with Johnny Donahoe. Directed by Danielle Fauteux Jacques. Scenic and Sound Design by Joseph Lark-Riley. Lighting Design by Danielle Fauteux Jacques. Produced by Apollinaire Theatre Company at Chelsea Theatre Works, 189 Winnisimmet St, Chelsea, MA through January 19th.
By Charlotte Snow
Can times really be that ‘unprecedented’ when more and more different kinds of ‘unprecedented’ actions and events appear time and time again? It’s a question that I have been asking myself repeatedly with the turning of the new year (and admittedly with the overturning of the old administration). It’s been far too easy for all of the negative thoughts about the world and one’s place in it to form a snowball of anxiety that grows in speed and size as it hurtles downward.
Donnla Hughes in Gamm Theatre’s Girls and Boys. Photos: Cat Laine
Reviewed by Tony Annicone
The third play of GAMM Theatre’s 40th Anniversary season is “Boys and Girls” by Dennis Kelly. It’s a 2016 one-woman British show that narrates a story of love, marriage, and, eventually, violence. She meets the man of her dreams, and the romance seems destined for greatness. Before long, the couple settles down and buys a house. Their life is filled with passion, success, and the joys of parenthood. They juggle careers; after having two children, Leanne and Danny, they seem to become an ordinary family. But as ambitions grow, things begin to unravel, and matters take an unexpected turn as her career takes an upspring by forming her own film company with Liam, and he goes in the opposite direction by not adapting from selling antique wardrobes to more contemporary ones.
Thain Emrys Bertin, Sehnaz Dirik, James Honaker, and Finian Ross in Theater Uncorked’s ‘The Lion In Winter.’ Photos by Gary Ng.
‘The Lion In Winter’by James Goldman. Directed by Allison Olivia Choat. Produced by/ Prop Design by/ Scenic Design by Sehnaz Dirik; Set Design by Leonard Chasse; Costume Design by Richard Itczak; Lighting Design by Erik Fox; Intimacy Direction by Kayleigh Kane. Produced by Theater Uncorked, ‘The Lion In Winter’ runs from December 5th – 15th at the BCA Plaza Theatre, 539 Tremont St, Boston, MA 02116.
By Charlotte Snow
The Lion In Winter is one of those “perfect for the family to watch during the holidays” shows. It contains all of the warm and fuzzy feel-good tropes such as the mother recently released from prison, three scheming siblings plotting their father’s downfall, and one offstage dead child. It’s as heartbreaking as it is surprisingly funny at times. The satire follows fictionalized versions of Henry the II and Queen Eleanor of Aquitaine as their sordid and sparring relationship consequently drags down the rest of their family: three fatally flawed sons, Henry’s mistress/Eleanor’s surrogate daughter, and a vengeful newly crowned king of France, into an ill-fated Christmas gathering full of dangerous ambitions, complex political schemes, and saucy romantic entanglements.
Cast of Moonbox’s “The Thanksgiving Play”. Photo Credit – Sharman Altshuler
By Michele Markarian
“The Thanksgiving Play” by Larissa Fasthorse. Directed by Tara Moses. Presented by Moonbox Productions, One Arrow Street, Cambridge, through December 15.
“The Thanksgiving Play,” the author of whom is the first Native woman to be produced on Broadway, is the perfect satire for the times. A well-intentioned white couple, Logan and Jaxton (Jasmine Goodspeed and Johnny Gordon, respectively), are planning on writing and staging a Thanksgiving play for an elementary school, which will hopefully defy all of the awful, Native-canceling and falsehoods traditionally associated with the holiday and present a more truthful history. Logan has even gone so far as to hire a woman who she thinks is a Native actress, Alicia (Marisa Diamond) to help with script development. A starstruck teacher from another school, Caden (Ohad Ashkenazi), has volunteered to join the project, as he is impressed with the marginal credentials of Logan and Jaxton and considers it a privilege to work with them. Despite their good intentions, the four characters can’t conceal their cultural biases or the fact that none of them have any clue on how to think outside their own privilege. The satire lies in their earnestness and their frustration with the burgeoning knowledge that they really don’t – and can’t – get it. The action is punctuated by the actors, as children, singing culturally insensitive Thanksgiving songs that Fasthorse culled from real sources.
Lorraine Victoria Kanyike, Fady Demian, Josephine Elwood, and Liza Giangrande in Actors’ Shakespeare Project’s production of ‘Emma’. Photo by Nile Scott Studios.
‘Emma’ — Written by Kate Hamill. Based on the novel by Jane Austen. Directed by Regine Vital. Scenic Design by Saskia Martinez; Costume Design by Nia Safarr Banks; Lighting Design by Deb Sullivan; Sound Design by Anna Drummond. Presented by Actors’ Shakespeare Project at Multicultural Arts Center, 41 Second St., East Cambridge through December 15th.
By Shelley A. Sackett
Jane Austen’s 1815 novel “Emma,” like all her other novels, explores the concerns and difficulties of genteel women living in Georgian–Regency England. Her Emma Woodhouse is a bright, wealthy, and confident young woman who basically has it all — education, intelligence, beauty, and money. She also has a surplus of self-confidence, pride and time. She is as spoiled, meddlesome, and self-deluded as she is witty, charming, and pithy.
Performer, playwright, and mentalist Vinny DePonto in “Mindplay” at the Huntington Theatre. Photos by Jeff Lorch.
‘Mindplay’ by Vinny DePonto and Josh Koenigsberg. Directed by Andrew Neisler. Produced by Eva Price. Presented by the Huntington Theatre Company, Calderwood Pavilion, Boston Center for the Arts, 527 Tremont St., Boston, MA, through December 1.
By Mike Hoban
There’s no question about it: The feats (tricks?, stunts?) performed by mentalist and self-described mind reader Vinny DePonto during MINDPLAY, his one-man “exploration of the imperfect mind,” are nothing short of astonishing. His ability to correctly “read” the thoughts of the audience members that he calls to the stage – whether through the use of gimmicks, psychological ploys, or (less likely) a supernatural gift – is well worth the price of admission, as are the segments of the performance that seem more like a magic show.
Zoë Kim during a performance of her show “Did You Eat? (밥 먹었니?).” (Courtesy Maggie Hall)
CHUANG Stage and Seoulful Productions present ‘Did You Eat (밥 먹었니)?’ Written and performed by Zoë Kim. Directed by Chris Yejin. Choreography by Christopher Shin. Set and Costume Design by Szu-Fen Chen. Sound Design by Katie Kuan-Yu Chen. Lighting Design by Ari Kim. Projection Design by Michi Zaya. At Boston Center for the Arts, Black Box Theatre, 539 Tremont Street, through November 30, 2024.
By Linda Chin
As we transition into colder and darker winter weather and approach the holiday season and its accompanying triggers (stress, travel, grief, family dynamics, food, lack of belonging, anyone?), being in a room with other compassionate and kind humans can be an antidote to loneliness. In that respect, the timing of CHUANG Stage and Seoulful Productions’ world premiere of the new solo show Did You Eat?( 밥 먹었니 ?), stunningly penned and performed by Asian American storyteller Zoë Kim, couldn’t have been more perfectly planned. At the Black Box Theater in the depths of the Boston Center for the Arts, Kim shares her life journey from birth to now, transporting us to places and spaces in Korea and the US that have felt unsafe, while taking audiences on a deep dive into the complexities of identity, love, and family.
Diego Arciniegas and Sandra Seoane-Serí in Central Square’s ‘Galileo’s Daughter’ Photos: Maggie Hall.
By Michele Markarian
“Galileo’s Daughter” – Written by Jessica Dickey. Directed by Reena Dutt. Presented by Central Square Theater and WAM Theatre, 450 Massachusetts Avenue, Cambridge, through December 8.
“A play is a very good way to learn something”, says Maria Celeste to her father, Galileo. We learn that Galileo, in addition to being a scientist, has fathered three illegitimate children; his alleged favorite, Maria Celeste, was the one (at least in the play) most interested in his work. One hundred and twenty-four letters survived between father and daughter, and in the year 2015, a writer (Caroline Kinsolving) has traveled to Italy, to the Museo Galileo, to research them for a play she is writing. In her backpack are also divorce papers that she seems unwilling to sign.
