Yorick Ensemble’s ‘The Guy Who Didn’t Like Musicals’ Will Convert Even the Most Ardent of Musical Haters

The cast of The Guy Who Didn’t Like Musicals. Photo Credit: Toni Photography. 

The Guy Who Didn’t Like Musicals with Music and Lyrics by Jeff Blim. Book by Matt & Nick Lang. Originally Produced by Starkid Productions. Directed by Kari Boutcher, Music Directed by Elias Condakes. Scenic Design by Bradley Boutcher & Josh Telepman. Costume & Prop Design by Josh Telepman. Lighting & Sound Design by Michael Jay. Produced by Yorick Ensemble at BCA Plaza Theatre at 539 Tremont Street, Boston, through February 22nd. 

By Charlotte Snow 

Whether we like to admit it or not, being surrounded by theater people is a special kind of Hell. We’re overly extroverted, overly annoying, overly… everything! So when I saw that Yorick Ensemble was producing The Guy Who Didn’t Like Musicals, a musical that is self-aware about musicals being a plague to humanity, I was jazzed as a chorus boy’s hands. Despite being about musical theatre and its culture, this show has never made it to Broadway. Although it’s famous, it’s YouTube famous.

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A Formidable Foursome in ‘Forbidden Broadway: Merrily We Stole A Song’ 

Cast of ‘Forbidden Broadway’ at Emerson Colonial Theatre
Chris Collins-Pisano, Nicole Vanessa Ortiz, Jenny Lee Stern, John Wascavage

Forbidden Broadway: Merrily We Stole A Song by Creator, Writer, Director Gerard Alessandrini. Choreography by Gerry McIntyre. Graphics & Onstage Projection Design by Glenn Bassett. Costume Design by Dustin Cross. Hair & Wigs by Ian Joseph. At Emerson Colonial Theatre, 106 Boylston Street, Boston, February 8-9, 2025.

By Linda Chin

“Old farts” who may have seen the original Forbidden Broadway during its seven year run at the Park Plaza in the ‘80s and ‘90s, theatergoers of all ages – especially those of you who spell theatre with an -re instead of -er, and fans of the late composer and lyricist Stephen Sondheim were treated to an evening of belly laughs as the Emerson Colonial Theatre brought the newest version of the Forbidden Broadway franchise, Merrily We Stole a Song, for a limited run this past weekend.

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Sudbury Savoyards Delivers a Charming Fairy Tale with Gilbert and Sullivan’s ‘Ruddigore’

Cast of Sudbury Savoyards’ ‘Ruddigore’. Photos by Chris Pollari

Ruddigore’ – Written by W.S. Gilbert. Music by Arthur Sullivan. Directed by Briana Bensenouci. Music Directed by Aldo Fabrizi. Set Design by Laurel Martin, Brendon Chetwynd & Blair Eig. Costume Design by Sue Flint & Donna Roessler. Sound Design by Bill Lopoulos. Presented by the Sudbury Savoyards with all performances at Lincoln-Sudbury Regional High School, 390 Lincoln Road, Sudbury, MA 01776, through March 1, 2025.

By Judy Katzman

The lively and robust overture to Gilbert and Sullivan’s Ruddigore, performed by a nearly 30-piece orchestra, sets the spirited (pun intended) tone for Sudbury Savoyards’ grand production of this comedic operetta. Armed with all the elements of a fairy tale – heroes, villains, fair maidens, ghosts, and even a mad woman – Ruddigore tells the story of Sir Ruthven Murgatroyd (David Smyth), a baronet who flees to a seaside village in order to escape a curse placed on his family, one that requires him to commit one crime each day, or die an agonizing death. 

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A Theatrical Alchemy, A.R.T.’s ‘Diary of a Tap Dancer’ Is More Than the Sum of Its Parts

Ayodele Casel (center) and the cast of A.R.T.s ‘Diary of a Tap Dancer.’
Photos: Nile Scott Studios and Maggie Hall
 

‘Diary of a Tap Dancer’ – Written and Choreographed by Ayodele Casel. Directed by Torya Beard. Musical Direction by Nick Wilders; Scenic Design by Tatiana Kahvegian; Costume Design by Camilla Dely; Lighting Design by Brandon Stirling Baker; Sound Design by Sharath Patel; Projection Design by Katherine Freer; Compositions, Orchestrations, and Arrangements by Carlos Cippelletti, Ethan D. Packchar. Presented by American Repertory Theater at the Loeb Drama Center, 64 Brattle St., Cambridge, through January 4, 2025.

By Shelley A. Sackett

Ayodele Casel’s ‘Diary of a Tap Dancer’ defies pigeonholing. First, it is a crackerjack tap dance concert, choreographed and performed by a jubilant devotée of the genre whose sensitivity to its rhythmic musicality keeps the action moving and the audience’s toes tapping along.

Second, it is a narrative documentary that “shines a light on women hoofers,” especially the unknown and forgotten black tap dancers of the 1920s through the ‘50s who blazed a trail for others, like Casel, to follow. Projection Designer Katherine Freer has curated a six-screen still and moving visual accompaniment that introduces us to all the dancers who might have been written out of history — women like Juanita Pitts, Jeni Le Gon, Cora LaRedd, Louise Madison and Marion Coles —  but for her efforts to draw attention to them.

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Revels’ ‘The Selkie Girl And The Seal Woman’ Sings Harmoniously

Laurenco “Pelé” Fernandes, José Luís Spencer, and Candida Rose Baptista in Midwinter Revel’s ‘The Selkie Girl And The Seal Woman’ Photos by Paul Buckley.

‘The Selkie Girl And The Seal Woman’. Directed by Deborah Wise. Music Directed by Elijah Botkin, Dramaturgy by Nicole Gallahad, Choreography by Neusa Barros Aravjo & Jackie O’Reilly, Tradition Bearing by Candida Rose Baptista & Almina Pilgrim, Costume Design by Heidi Hermiller, Lighting Design by Jeff Adelberg, and Scenic Design by Jeremy Barnett. Produced by Revels, ‘The Selkie Girl And The Seal’ runs from December 13th – 28th at The Sanders Theatre, 45 Quincy St, Cambridge, MA 02138. A virtual encore, a recorded live performance, will stream from December 28th – January 12th

By Charlotte Snow

I am, unfortunately, and for a variety of reasons, one of those sad individuals for whom Christmastime is the worst time. So I never really seek out events, or much of anything, that remind me of the season. So you can imagine my surprise (and partially abject terror) when I was invited to review the 54th Annual Midwinter Revels production, “The Selkie Girl And The Seal Woman.” Thankfully, I was not met with holiday hostility. Instead, I was warmly welcomed by the majesty of The Sanders Theatre alongside a heartwarming theatrical and cultural celebration. 

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Small Stage, Big Heart: Sullivan Rep’s Delightful “Annie”

Carly Evans, Charlotte Kuong

‘Annie’ – Book by Thomas Meehan.  Music by Charles Strouse. Lyrics by Martin Charnin. Directed and Choreographed by Dan Sullivan; Musical Direction by Jenny Tsai; Lighting Design by Erik Fox; Costume Design by Dan Sullivan; Sound Design by Andrew Mulholland; Wardrobe by Judi Olson. Presented by Sullivan Rep, with all performances at the Windsor Club, 1601 Beacon Street, Waban, MA 02468, through December 21st.

By Judy Katzman

Don’t let the venue fool you. This production of ‘Annie’ is strong and very enjoyable despite the limitations of the performance space. There is a stage in the function room at the Windsor Club, but it was utilized by the orchestra, leaving the floor space to accommodate the performance area, the audience seating, and the backstage area. Nevertheless, the talented cast elevates this show to a level that makes it easy to forget that you’re not in a traditional theater.

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GBSC’s ‘Winter Wonderettes’ Serves Up a Nostalgic Holiday Treat

Lisa Kate Joyce,Talia Cutulle, Pearl Scott, and Sarah Morin in GBSC’s ‘Winter Wonderettes’

‘Winter Wonderettes’ – Written and Created by Roger Bean. Directed and Choreographed by Sara Coombs. Musical Direction by Lea Peterson; Scenic Design by Rachel Rose Roberts; Lighting Design by John Holmes; Costume Design by Kelly Baker; Sound Design by John Stone.  Presented by the Greater Boston Stage Company, 395 Main Street, Stoneham, the production runs through December 22nd.

by Judy Katzman

It’s that wonderful time of year when classic Christmas songs can be heard everywhere – on car radios, in malls, offices, and restaurants. The songs are a festive soundtrack that plays in the background as we go about our busy lives. If you are looking for a theater experience that allows you to jump back in time and be bathed in the spirit of the holiday season, Winter Wonderettes fills the bill. During the two-hour show, some of the most beloved and well-known Christmas songs are brought to life by a talented four-woman cast with flair, humor, and plenty of nostalgia.  

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WFT’s ‘A Year with Frog and Toad’ Leaps with Laughter

Cast of Wheelock Family Theatre’s ‘A Year with Frog and Toad’.
Photos by Nile Scott Studios.

‘A Year with Frog and Toad’ — Music by Robert Reale. Book and Lyrics by Willie Reale. Based on the books by Arnold Lobel. Directed by Leigh Barrett. Music Directed by David Freeman Coleman. Choreographed by Brad Reinking. Scenic Design by Jenna McFarland Lord; Costume Design by Chelsea Kerl; Lighting Design by Deb Sullivan; Sound Design by Alex Berg. Presented by Wheelock Family Theatre, 180 Riverway, Boston, through December 15th.

By Helen Ganley

A towering tree weeps oversized fronds into a secluded glen on the forest floor. In a neighborhood teeming with wildlife, two cozy houses sit across from one another, each home to a pair of best friends: Frog and Toad. Wheelock Family Theatre’s A Year with Frog and Toad invites you into their world, following these beloved characters through the changing seasons as they embark on adventures big and small.

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The Gamm’s ‘Amadeus’ Hits All the Right Notes

Cast of ‘Amadeus’ at the Gamm Theatre. Photos by Cat Laine

‘Amadeus’ – Written by Peter Shaffer. Directed by Tony Estrella. Music Direction and Composition by Judith Lynn Stillman. Set Design by Jessica Hill Kidd. Costume Design by Mikayla Reid. Lighting Design by Steve McLellan. Sound Design by Peter Sasha Horowitz. Presented by The Gamm Theatre, Warwick, Rhode Island, through December 7th.

By Linda Chin

With the power of music to soothe one’s soul and heal, create, and unite communities, seeing The Gamm Theatre’s production of Amadeus may be the perfect panacea for daylight savings – and/or post-election – blues. Set in 1781-1791 & 1823 Vienna, Amadeus tells the fictionalized story of a rival relationship between two 18th-century composers, the Salzburg-born young prodigy Wolfgang Amadeus Mozart and the more senior but lesser-known Italian composer Antonio Salieri.

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Let Musical Theater Be Our Lifeboat in These Tumultuous Times: NSMT’s ‘Titanic’ is a Gem

The cast of “Titanic The Musical” at North Shore Music Theatre. Photos: David Costa Photography

Bill Hanney’s North Shore Music Theatre presents ‘Titanic the Musical’. Story & Book by Peter Stone. Music & Lyrics by Maury Yeston. Directed and choreographed by Kevin P. Hill. Music Direction by Milton Granger. Scenic & Lighting Design by Jack Mahler. Original Costume Design by Jeffrey Meek. Sound Design by Alex Berg. Hair & Wig Design by Rachel Padilla-Shufelt. At North Shore Music Theatre, Beverly, MA through November 10, 2024.

by Linda Chin

Putting away the deck chairs for the winter or rearranging the metaphorical deck chairs at work getting you down? Wondering how a single sociopathic businessman’s desire for power and fame can drive a decision that trumps others’ safety and happiness? Hungry for the power of live musical performance to unite, create, and heal communities?

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