Playwright Ins Choi on his play ‘Kim’s Convenience”

Ins Choi

Playwright Ins Choi was born in South Korea and emigrated to Canada with his family as an infant. Taking to theater at an early age, he participated in his high school’s plays and later graduated from York University with a degree in theater, then worked with Toronto’s fu-GEN, self-described as an “Asian Canadian Theatre Company.” Turning to writing, he authored Kim’s Convenience, a play about a family of Korean immigrants in Toronto headed by a stubborn patriarch, with an understanding mother (Umma) and two adult children — the artistic, still-single Janet, and estranged son Jung — rounding out the family. The play explores a clash of cultural expectations, as Appa — “Dad” or “Daddy” in Korean, the only name he’s given in the play — attempts to assert his authority not only in the store (where he’s quick to discern which customers are likely to shoplift, his profiling inevitably veering into problematic territory) but also in the lives of his offspring. Stubborn, but ultimately loving, Appa is the pillar around which the family centers, despite the estrangement between himself and Jung.

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Arlekin Players’ Igor Golyak on Bringing Back ‘The Dybbuk’ for an Encore

Arlekin Players’ Igor Golyak

Igor Golyak, the leader of Arlekin Players, is set to oversee the return of his adaptation of Roy Chen’s modern version of the classic S. Ansky play The Dybbuk to Boston. The play was a sensation last year, thrilling audiences and earning accolades, including an Elliot Norton Award for Outstanding Production. Now it returns to Beacon Hill’s Vilna Shul, the site of its earlier run — a venue that, Golyak explains in our interview, has significant resonance.

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Speakeasy’s ‘Lizard Boy’ Artfully Combines Indie Rock with Comic Book Sensibility

Chelsie Nectow, Keiji Ishiguri, and Peter DiMaggio in ‘Lizard Boy’ at SpeakEasy Stage.
Photos by Benjamin Rose Photography.

‘Lizard Boy’Book, music, and lyrics by Justin Huertas. Directed by Lyndsay Allyn Cox; Music Direction by Violet Wang; Scenic Design by Qingan Zhang; Sound Design by Sean Doyle; Costume Design by Zoë Sundra, Lighting Design by Deb Sullivan. Presented by SpeakEasy Stage at the Calderwood Pavilion. Through Nov. 22.

By Mike Hoban

There are any number of musicals that examine the hardships of not fitting in − from the 1960s Rankin-Bass television special Rudolph the Red-Nosed Nose Reindeer to Wicked to Bat Boy: The Musical. The challenges of “being different” and the struggle to be accepted can be compelling fodder for any storytelling vehicle, and SpeakEasy’s delightfully silly but poignant Lizard Boy is no exception.

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Whoa! Wow! The Big Apple Circus Returns to Boston

The Bingo Troupe in ‘The All-New Big Apple Circus: The World’s Best Under Our Big Top’.

‘The All-New Big Apple Circus: The World’s Best Under Our Big Top’. Director & Choreographer: Renaud Doucet; Scenic & Costume Design: Andre Barbe; Technical Director: Guy Simard; Sound Design: JP Perreaux; Music Director: Rob Slowik. Presented by The Gold Group, EMC presents BAC, and Circus Vazquez at Suffolk Downs, 525 McLellan Highway, East Boston, through November 2, 2025

By Mike Hoban

From the very opening sequence, with a thundering pop-rock score playing behind an array of jugglers, hula hoopers, flying acrobats, and dancers, the Big Apple Circus grabs your attention and doesn’t let go, generating a chorus of “Whoas!” and  “Wows!” throughout the performance. The latest show, returning to Boston after a six-year hiatus, blends circus arts (trapeze, aerial ropes, various forms of juggling, acrobatics, and a tightrope act), clowning, and dog acts with a light show and an eight-piece orchestra to deliver a “one-ring” circus that brings out the kid in all of us.

The Flying Caceres
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Huntington’s ‘Sardines’ A Work of Amazing Grace

Chris Grace in ‘Sardines’ at The Huntington. Photos by Eric Michaud

‘Sardines (a comedy about death)’. Written and performed by Chris Grace. Directed by Eric Michaud. Kevin Becerra, Associate Director of Artistic Programming and Activation. Kendyl Trott, Production Coordinator. At The Maso Studio at The Huntington Theatre, 264 Huntington Ave, Boston, through November 16.

By Linda Chin

At The Huntington Theatre, attendees of Sardines (a comedy about death) will be treated to sixty minutes of the sweet sounds of Amazing Grace. Not the comforting hymn that’s popular at funerals, but the words and voice of playwright-actor Chris Grace (NBC-TV’s Superstore) in a solo stage show about family, grief, and loss that he’s written and performs.

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The Resonance of Playwright KJ Moran Velz’s ‘Mother Mary’: “Queer people have always existed, and they’re always going to exist.”

Tara Forseth, Adriana Alvarez in BPT’s ‘Mother Mary’. Photos by Benjamin Rose Photography

by Kilian Melloy

Boston Playwrights’ Theatre’s season continues with KJ Moran Velz’s new play Mother Mary, a story set in 1968 that finds two women — cab driver Jo Cruz and Catholic schoolteacher Mary O’Sullivan — navigating not just the streets of Southie, but also the perils of the time and the eternal mysteries of love. What starts as a ride home turns into a shared daily ritual of commuting and discussing books like The Price of Salt. Jo’s uncertainties and Mary’s innocence are roadblocks on the road to romance, but so too are the insults hurled by community members who can see plainly that Jo likes women… something that Mary, catching onto, finds herself intrigued by. There’s a complication in that Mary is pregnant thanks to her boyfriend (also Catholic, but deployed to Vietnam), but that might just be something Jo happens to be able to help with…

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Tom Coiner on His Starring Role in Merrimack Rep’s “Misery”

by Kilian Melloy

It’s hellishly hard to get Stephen King’s work to translate well from page to screen; you’d better be a Stanley Kubrick, a Bran DePalma, or a Mike Flanagan if you hope to create the same sense of dread and terror King imbues his novels and short stories, or a Frank Darabont or a Rob Reiner to capture some of the same emotional charge and general atmospherics.

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With Top-Notch Performances, Front Porch Arts Collective’s ‘The Mountaintop’ Soars

Dominic Carter as MLK in Front Porch Arts Collective‘s ‘The Mountaintop’

‘The Mountaintop’ – Written by Katori Hall. Directed by Maurice Emmanuel Parent. Scenic Design by Ben Lieberman. Lighting Design by Brian Lilienthal. Sound Design by Joshua Jackson. Presented by the Front Porch Arts Collective at the Suffolk University Modern Theatre, 525 Tremont Street, Boston, through October 12, 2025

A powerful production of the play The Mountaintop is running at Suffolk’s Modern Theatre – a short Green Line ride away from the university (BU) where MLK earned a PhD in systematic theology in 1955, on the same campus where he delivered a speech entitled “The Future of Desegregation” at the Ford Hall Forum in 1963, and blocks away from the Boston Common, where he delivered a speech in 1965 and where a permanent monument honoring the life and legacy of Rev. Dr. Martin Luther King, Jr. and Coretta Scott King was unveiled in 2023.

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Liz Callaway On Her Career and SpeakEasy’s Upcoming New Musical Showcase, “Boston Bound”

Boston theaters have long served as a testing ground for new musicals headed to Broadway. Recent major works like Natasha, Pierre & The Great Comet of 1812 (2015), The Gershwins’ Porgy and Bess (2011), and Waitress (2015)all premiered at the American Repertory Theater in Harvard Square in recent years before becoming sensations on the Great White Way. It’s a tradition that reaches as far back as 1943 (Oklahoma!) if not even earlier, and endures as recently as 2018 (Moulin Rouge! The Musical! and Jagged Little Pill both lit up Boston area stages that year).

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Chris Grace On His Upcoming Solo Show, “Sardines” at the Huntington

Chris Grace in ‘Sardines’ at The Huntington. Photos by Eric Michaud

You might know comedian Chris Grace from his role on Superstore or his appearances on Broad City, Pen15, and other TV shows. But beyond the screen, he’s a busy standup comedian with such a packed itinerary that, he tells Theater Mirror, he hasn’t been home since July… and he won’t be back until just before Thanksgiving.

One of Grace’s most recent stops was the Edinburgh Fringe Festival, where he created new material nonstop — a show every day, he says, for each day he was there. Now he’s getting ready to come to Boston, bringing his solo show Sardines (a comedy about death) to the Huntington Theatre for a six-week run, Sept. 30 – Nov. 16. (Find out more at https://www.huntingtontheatre.org/whats-on/sardines/ .)

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