by Mike Hoban THE BARBER OF SEVILLE – Music by Gioacchino Rossini; Libretto by Cesare Sterbini; Sung in Italian with English surtitles; Conductor David Angus; Stage Director Rosetta Cucchi; Set Designer Julia Noulin-Mérat; Costume Designer Gianluca Falaschi; Lighting Designer DM Wood. Presented by the Boston Lyric Opera at the Emerson Cutler Majestic Theater,…
Author: Theater Mirror
Huntington’s ‘Sherlock’s Last Case’ a Wildly Comic Caper
by Mike Hoban ‘Sherlock’s Last Case’ – Written by Charles Marowitz, Directed by Maria Aitken; Scenic Design, Hugh Landwehr; Costume Design, Fabio Toblini; Lighting Design, Philip S. Rosenberg; Sound Design, Mic Pool. Presented by Huntington Theatre Company at 264 Huntington Avenue, Boston through October 28 There’s nothing elementary about the Huntington’s production…
The Beautiful, Hideous Creation of “Frankenstein”
by Michele Markarian “Frankenstein” by Nick Dear. Based on the novel by Mary Shelley. Directed by David R. Gammons. Presented The Nora Theatre Company and Underground Railway Theater, Central Square Theater, 450 Mass. Ave in Cambridge, through November 4. Set or art installation? That’s what comes to mind when walking into the main stage of…
‘Pride and Prejudice’: A Farcical Adaptation at the Trinity Rep
by Deanna Dement Myers ‘Pride and Prejudice’ by Kate Hamill, adapted from the novel by Jane Austen. Directed and Choreographed by Birgitta Victorson; Set Design by Michael McGarty; Costume Design by Olivera Gajic; Lighting Design by Dawn Chiang; Sound Design by Broken Chord Voice; and Dialect Coaching by Candice Brown Production Stage Managed…
