Holiday Mashup of Dickens and Holmes is Both Familiar and Surprising

November 27, 2025April 8, 2026 CJ WilliamsLeave a comment

Jon-Vellante, Paul-Melendy, and Christopher-Chew in Lyric Stage’s ‘A Sherlock Carol’.
Photos by Nile Hawver

‘A Sherlock Carol’ – Written by Mark Shanahan; Directed by Ilyse Robbins; Featuring Paul Melendy; Leigh Barrett; Christopher Chew; Jon Vellante; Mark Linehan; Michelle Moran; Scenic Design by Erik D. Diaz; Costumes by Sophia Baramidze; Lighting Design by SeifAllah Solotto-Cristobal; Sound Design by Alex Berg; Presented by Lyric Stage Boston, Boston, MA running November 14 through December 21.

By C.J. Williams

Famously, Dickens’ A Christmas Carol opens with the line, “Marley was dead: to begin with.” Playing now at the Lyric Stage until December 21st, A Sherlock Carol, opens to the tune of “Moriarty was dead: to begin with”. The famous consulting detective is in a black, offensive, depression (throwing out friends and spitting “Bah!”). Moriarty is dead, and Holmes, self-obsessed and shut in on Christmas Eve, refuses all invitations from Watson to partake in holiday cheer…and Moriarty is dead. But that might just as easily have been said of Scrooge at the opening of his story, and Holmes, as we enter A Sherlock Carol, are dead themselves: They’ve both lost the thing that gives hope to the human heart.

Scrooge was essentially brought back to life. Can Holmes be?

Trinity Rep’s ‘A Christmas Carol’: Nothing New, But Always Heartwarming

November 17, 2025April 8, 2026 CJ WilliamsLeave a comment

Felese Kparyea as Martha, Jeff Church as Bob Cratchit, Salvador Rivera Scotti as Tiny Tim, Stephen Thorne as Ebenezer Scrooge, and Henry Nwaru as Nephew Fred in Trinity Rep’s “A Christmas Carol,” Photos by Mark Turek

‘A Christmas Carol’ – Written by Charles Dickens; Adapted by Adrian Hall with additional adaptations by Richard Jenkins; Co-directed by Sharon and Richard Jenkins. Featuring Nate Dendy, Stephen Thorne, Jeff Church, Kayla Dumont, Evie Dumont, Taavon Gamble, Gillian Williams, Allison Russo. Original Music by Richard Cumming; Music Direction by James Wood; Stage Manager Anais Bustos; Sound Designer Peter Sasha Hurowitz; Lighting Design by Brian Lilienthal; Costume Design by Toni Spadafora-Sadler. Presented by Trinity Repertory Theatre, Providence, RI, running November 12 through December 31.

By CJ Williams

Trinity Repertory’s A Christmas Carol has a 49-year tradition, but add that to the publication date of Dickens’ original story, and that’s 182 years. That’s all to say that there’s a good reason audiences return to this narrative of miser-redeemed year after year. A Christmas Carol may remind us year after year not to succumb to that sneaking hardness of heart we’re vulnerable to. But it’s also just rollicking good fun to watch an old grumpy geezer get pulled out of bed and thrust into a ghost-haunted pantomime of his past.

ASP’s ‘Macbeth’ is Imaginative, Disquieting

October 7, 2025April 8, 2026 CJ WilliamsLeave a comment

Cast of Actors’ Shakespeare Project’s ‘Macbeth’ Photos by Benjamin Rose Photography.

‘Macbeth’– Written by William Shakespeare; Directed by Christopher V. Edwards; Featuring Brooke Hardman, Jade Guerra, Jesse Hinson, Jennie Israel, Brian Demar Jones, Claire Mitchell, Vince Nguyen, Amanda Esmie Reynolds, Omar Robinson, Chingwe Padraig Sullivan, Dennis Trainor Jr.; Scenic Design Danielle Ibrahim; Sound Design by Julian Crocamo; Lighting Design Elmera Martinez; Costume Design Marissa Wolf; Sound Design Mackenzie Adamick; Production Design Sue Rees; Audio Engineer Irene Wang; Fight Director Naomi Kim. Presented by Actors Shakespeare Project, Boston, MA, through October 26.

By C.J. Williams

Macbeth, as you know, is one of those plays that takes sanity and hope and puts them through a meat grinder. Once you’ve seen Macbeth, you’ve seen not only that blood will out, but that blood will douse, drench, and seep through skin into the deepest crevices of your heart, mind, and conscience. But what if you want to make it more disquieting? Perhaps this is what Director Christopher V. Edwards and the Actors’ Shakespeare Project team asked themselves as they planned this year’s production of the iconic play. How about staging the political and relational shenanigans during the Cold War?

GSC’s ‘Ms. Holmes and Ms. Watson’ Delights

September 16, 2025April 8, 2026 CJ WilliamsLeave a comment

Breezy Leigh, Stephen Shore, Erin O’Sullivan in Gloucester Stage’s ‘Ms. Holmes & Ms. Watson’
Photos by Shawn G. Henry

By C.J. Williams

Gleeful send-up and homage, this gender-swapped Holmesian adventure set in 2021 London, featuring a New Yorker Watson and a cast that clearly delights in the havoc of playing multiple roles at speed (one-man Lestrade-Moriarty-Sleazy Politician, anyone?) Ms. Holmes and Ms. Watson by Kate Hamill is a quirky, funny-bone-prodding sprint for its full two-hour runtime.

GBSC’s ‘Little Shop of Horrors’ is a Horrific Good Time

June 23, 2025April 8, 2026 CJ WilliamsLeave a comment

Stephen Markarian, Kayla Shimizu in “Little Shop of Horrors.” Photo: Nile Scott Studios

‘Little Shop of Horrors’ – Written by Alan Menken; Book & Lyrics by Howard Ashman; Directed by Ilana Ransom Toeplitz; Music Direction by Bethany Aiken; Choreographed by Chris Shin; Stage managed by Shauwna Dias Grillo. Presented by Boston Stage Company, Stoneham, MA, through June 29.

By C.J. Williams

If you’ve never seen Alan Menken and Howard Ashman’s Little Shop of Horrors, now is the time. You couldn’t catch a better rendition of this bitingly smart, gut-splittingly goofy musical if you drove to Manhattan for a Broadway show. Running for one more weekend in Stoneham, Little Shop is the classic story of a downtrodden orphan who gets a break – or does he? Menken and Ashman, as a team, have a blast both playing with – and tossing out – the classic tropes of love, rags-to-riches, and fairy godmother/good luck. By the time they’re done, we’re breathless.

Trinity Rep’s ‘Blues For an Alabama Sky’ Could Use Some More Sky, but Its Blues Are Full Of Heart

June 9, 2025April 8, 2026 CJ WilliamsLeave a comment

Cast of Trinity Rep’s ‘Blues For an Alabama Sky’. Photos by Mark Turek

Blues for an Alabama Sky – Written by Pearl Cleage; Directed by Jackie Davis; Scenic Designer Michael McGarty; Costume Designer Amber Volmer; Lighting Designer Erica Maholmes; Sound Designer Larry D. Fowler, Jr; Fight Choreographer Mark Rose; Vocal Coach Rebecca Gibel; Stage Manager Kelsey Emry; and Megan Dilworth as Delia; Taavon Gamnbe as Guy; Cloteal L. Horne as Angel; Dereks Thomas as Sam; Quinn West as Leland (“Alabama”) . Presented by Trinity Repertory Theatre, Providence, RI through

By C.J. Williams

What type of world is it in which a storm can blow through and leave nothing changed? You might say magical realism, Alice-in-Wonderland, or someone’s dreamscape – but Blues for an Alabama Sky is set in hard-as-nails Harlem during Prohibition, and while the storm of the plot in a well-structured play ought to leave the characters comedically or tragically changed, it doesn’t. Thankfully, the audience still gets to experience a few high points: humor and horror.

Strong Performances Lift Mystic Evidence Productions’ ‘Skazki: A Spell of Ice and Snow’

April 21, 2025April 8, 2026 CJ WilliamsLeave a comment

‘Skazki: Spell of Ice and Snow.’ Written by J.X.M. Corriss. Words and Music by Jonathan Blackshire. Musical Direction by Sam McLoughlin. Directed by Sean Robinson. Choreography by Katie Formosi. Costume Design by Kitty Prue. Lighting Design by Nick Tavares. Stage Management by Max Cavanaugh, assisted by Mason West. Presented by Mystic Evidence Productions at the Boston Center for the Arts, 539 Tremont St, Boston, MA 02116

By C.J. Williams

“Culture is also a casualty of war.” So what’s culture? And is its loss akin to losing a limb – or a family member?

Skazki: A Spell of Ice and Snow recently wrapped up its run at the Boston Center of the Arts. The brand-new musical, written by a first-time playwright (but veteran poet and novelist, X.M. Corriss), is a whimsical musical with a cold as steel fairy tale edge, and where it may falter in pacing, it more than evens out in its cast and crew’s passionate performances. If culture is indeed a casualty of war, Skazki is perhaps the result of artists who know that all art is a kind of healing.