By Mike Hoban
‘Tartuffe’ – Written by Molière, Translated by Ranjit Bolt, Directed by Peter DuBois; Scenic Design, Alexander Dodge; Costume Design, Anita Yavich; Lighting Design, Christopher Akerlind; Sound Design, Ben Emerson; Choreographer, Daniel Pelzig; Original Music, Peter Golub. Presented by the Huntington Theatre Company at the Avenue of the Arts/Huntington Theatre, 264 Huntington Ave., Boston, through December 10
As someone who did not grow up reading the classics, and came into the theater later in life, I must admit that I don’t usually share the same sense of glee as some of my counterparts when it comes to reviewing plays written before the 19th century. The archaic language and rhythmic structure often make it difficult for the untrained ear to follow, and by the time I catch on, the first act is usually half over. Such is not the case with Tartuffe, the wickedly funny 1664 comedy by Molière now being staged at the Huntington. Powered by a wonderfully oily performance by Brett Gelman in the title role, Tartuffe is as accessible as any 20th century work, and a howl to boot.