Breaking Legs (Arctic Playhouse, West Warwick, RI)

By Sue Nedar

Breaking Legs – Written by Tom Dulack. Co-directed by Hen Zannini and Fred Davison.

There’s always something cleverly ironic about a play about a play; but when you throw in some stereotypical Italian New England mobsters, a brassy gum-snapping Boss’s daughter, and a nerdy (and very neurotic) professor, sprinkle it with pasta fagioli, (pronounced Fazool) and some not greasy, not fishy calamari, (pronounced Galmar) you’ve got the cute and funny Breaking Legs.

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“DEATHTRAP” The Players, Providence, RI

 

Reviewed by Tony Annicone

 

The opening show of The Players’ 110th season is “Deathtrap”, a thriller by Ira Levin. Alan Hawkridge directs this show with keen insight to guide his five member cast with all the clever twists and turns of this script that keeps the audience on the edge of their seats. This show takes place in the Westport, Connecticut home of famous playwright, Sidney Bruhl who is having a dry spell with his writing and is trying to write his current script. Unfortunately he has had a string of failures and is suffering from a shortage of funds.

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SHAKESPEARE IN LOVE – Burbage Theatre Company, Pawtucket, RI

 

Reviewed by Tony Annicone

 

Burbage Theatre Company’s first show of their season is the adaptation of the 1998 Academy Award winning romantic comedy “Shakespeare in Love.” It comes to the stage, complete with sword fights, secret trysts, and backstage drama. Young playwright Will Shakespeare is short on inspiration until he encounters the beguiling Viola, and their star crossed love inspires a masterpiece. Will has writer’s block with his current play he’s working on “Romeo and Ethel, the Pirate’s Daughter” which is a half ass mess. “Shall I compare to thee to a something, something, is the problem Will is facing. His patrons want comedy but Will wants more but can’t figure what that could be. Then he meets Viola, a smart beauty who loves his work and lights his creative flame. But Viola has a secret, and “Romeo” is turning out be anything but a laugh fest. Filled with action packed adventure, fiery romance, and wit, get ready to fall head over heels in love with this lush, lavish and lusty production that celebrates the power of live theatre. Jeff Church directs this Lee Hall adaptation of the Academy Award winning screenplay and comes up a winner with his huge 19 member cast.

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ANYTHING GOES (Stadium Theatre, Woonsocket, RI)

 

Reviewed by Tony Annicone

 

The Stadium Theatre’s first musical of their summer season is “Anything Goes” by Cole Porter. Originally written in 1934 for Ethel Merman where it ran for 420 performances, the show’s book was revised in 1962 and then again in 1987. Director Brian Lopes takes this 1934 version of the script and infuses his talented cast with high energy to pull off these roles. The show takes place in the 1930’s aboard the luxury liner S.S. American sailing from New York to London with a group of unusual passengers. The story of boy, Bill Crocker who loves girl, Hope Harcourt who is engaged to wealthy British suitor, Lord Evelyn, who is pursued by singing and dancing evangelist, Reno Sweeney is the basic storyline of this show. Throw in boy’s heavy drinking boss, girl’s overbearing mother, public enemy # 13, his sexy gun moll, Reno’s four fallen Angels, the captain, the purser, the sailors and the passengers plus fantastic music direction by Brittany Dyer and fabulous choreography by Julia Nelson and you have a sure fire crowd pleasing musical entertainment which wins a standing ovation at the end of the night.

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A CHORUS LINE – Stadium Theatre (Woonsocket, RI)

A CHORUS LINE

Reviewed by Tony Annicone

 

The current show at the Stadium Theatre is “A Chorus Line”, the 1976 winner of the Tony Award for Best Musical and Best Book and the Pulitzer Prize for Drama. It is a musical based on the lives and experiences of Broadway dancers. Original director/choreographer Michael Bennett wanted to do a show with the spotlight on the class of performers known as the gypsies. The action takes place on a bare stage, where the casting for a new musical is almost complete. For 17 dancers, it is a chance of a lifetime. It is the one opportunity to do what they always dreamed of, not only to be a star, but a chance to get a job and have the chance to dance. Through a series of interviews from funny to heartbreaking, it ushers the audience into the lives of these dancers until the final eight are chosen. The original Broadway show opened on April 15, 1975 and ran 6,137 performances, closing on April 28, 1990. Director William Deschenes, musical director Alex Tirrell and choreographer Jennifer Webb create a stunning, high energy and fabulous version of this musical at the historic Stadium Theatre.

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THE SKIN OF OUR TEETH (Wilbury Theatre Group, Providence, RI)

by Tony Annicone

Wilbury Theatre Group’s current production is the 1943 Pulitzer Prize winning play “The Skin of Our Teeth” by Thornton Wilder. It opened on Broadway on November 18, 1942 and ran for 355 performances. The show also written in 1942 is an allegory on the history of mankind, told through the story of one family. It is a mixture of contemporary and biblical events and employs a farcical style seen in Wilder’s “The Matchmaker” as well as the presentational style seen in his “Our Town.” The phrase used as the title comes from the King James Bible, Job 19:20 “My bone cleaveth to my skin and to my flesh, and I am escaped with the skin of my teeth.” We meet the Antrobus family and their maid, Sabina who come from New Jersey. We barely escaped the depression by the skin of our teeth exclaims Sabina as Wilder works the title of the show into the dialogue. We also meet a woolly mammoth and a dinosaur in their home which helps give the show a theatrical mixture of farce, absurdism, satire and burlesque.

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THE HUNCHBACK OF NOTRE DAME Bishop Hendricken Theatre, Warwick, RI

THE HUNCHBACK OF NOTRE DAME

Reviewed by Tony Annicone

 

Bishop Hendricken Theatre’s current musical extravaganza is “The Hunchback of Notre Dame”, a new musical which debuted at the La Jolla Playhouse in California in October, 2014. Then in March, 2015 it played at Papermill Playhouse in New Jersey. Both theatres have had shows transferred to Broadway. Unfortunately this musical did not make it and why is a complete mystery to me. This version is based on the Victor Hugo 1831 novel which was transformed by Disney into an animated film in 1996. This version has music by Alan Menken, lyrics by Stephen Schwartz and book by Peter Parnell. However this is not the usual happy musical from Disney where everyone lives happily ever after. The songs from the Disney film “The Hunchback of Notre Dame” are powerful and potent and the tale dark and Gothic but still it is an entrancing and enticing musical to see and savor. Director Richie Sylvia who is also musical director picks the best performers for these roles and infuse them with high energy all night long. Richie plays lead keyboards and Sean Donnelly conducts a fabulous 13 piece orchestra and obtains awesome harmonies from the cast. Choreographer Teresa Pearson supplies some upbeat dances to lighten up the show in some of the gypsy sequences. Their expertise wins a very well deserved spontaneous standing ovation at the close of the performance.

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“A CHRISTMAS CAROL” (Arctic Playhouse, West Warwick, RI)

 

Reviewed by Tony Annicone

 

The Arctic Playhouse’s holiday presentation this year is the premiere production of “A Christmas Carol” adapted and directed by John Martorella with gorgeous and lush original music by his husband, Philip Martorella. John assembled a huge cast of 30. The underlying themes of charity, mercy, forbearance, and benevolence found in “A Christmas Carol” are universal and are relevant to people of all religions and backgrounds. In his version, John uses two different performers as the narrators of this familiar tale of miserly, curmudgeon, Ebenezer Scrooge. It is the classic tale of this stingy, miser on the road to his redemption. Originally written in the winter of 1843, this show still resonates with audiences, one hundred and seventy five years later. Scrooge is visited by his dead partner, Jacob Marley who has been dead for seven years on Christmas Eve as well as the ghosts of the Past, Present and Future. who hope to change his destiny and save his soul. This musical adaptation is full of lovely music, colorful sets and gorgeous costumes. This musical treat follows Scrooge on his strange and magical journey, where he finally discovers the true Christmas spirit at last.

John obtains laughter and some tears on Scrooge’s journey to redemption. He keeps the action of the show moving from scene to scene. He ends the show with the cast singing “God Bless Us All” to the audience. The music by Philip is magnificent and a recorded track is used for all these numbers. The three marvelous numbers are “Rise and Walk With Me” by Christmas Past, “With All the Dreams We Share” by Belle and “God Bless Us All” by Tiny Tim. Also well done is the chorus dance in the Fezziwig scene. The London sets are by Jim Belanger and Lloyd Felix while the fabulous, gorgeous authentic costumes are by Nancy Spirito and Johnny Cagno.

Terry Simpson plays Ebenezer Scrooge. He plays this miserly curmudgeon excellently and commands the stage in this role. Terry excels in the comic scenes especially when he yells at the carolers as well as when he yells at the two solicitors. However it is in the dramatic scenes that are the most memorable including Fan’s death, the break-up with Belle, the death of Tiny Tim and in his transformation that the pathos pours out to the audience.  His exuberance when he awakens on Christmas morning is stunning to behold as he dances with joyous rapture. The audience learns that Scrooge has become a better man by learning from the past, present and the future. The Turkey boy well played by Jacoby Messier helps Scrooge turn a new leaf by sending the turkey to the Cratchitts.

The four Ghosts do a marvelous job in this show, too. Geoff Monti is wonderful as Jacob Marley. He scares not only Scrooge but every person in the audience as he appears on the scene. The chains clang as he drag them across the floor.  Marley stands near Scrooge’s bed with huge chains and warns him to reform his miserly ways or suffer Marley’s fate these past seven years. Monti’s delivery of these lines is frightening to behold. Christmas Past is portrayed by Maria Tavorozzi, a beautiful brunette who has a lovely singing voice in her impressive song “Rise and Walk with Me”. She chides Scrooge as he watches his younger self enjoying and loving Christmas with his sister, Fan when she arrives to take him home and again at Fezziwig’s party when he fell in love with Belle. Maria delivers the goods as she takes Scrooge on his journey of enlightenment. Young Scrooge is wonderfully played by Mike Daniels as is Roxy Johnson as little Fan. Mike is also topnotch in the break up scene. Chantell Araial is terrific as Belle, playing it with a great deal of warmth and charm. Their break up scene is poignant to observe as she hands him back the engagement ring while she sings “With All the Dreams We Share” which is gut wrenching and very beautifully rendered. The jolly employer and his wife are splendidly played by Brian Lamothe and Peirson as Mr. and Mrs. Fezziwig. They lead the party festivities with gusto, bringing the necessary comic relief at this point of the show.

Christmas Present is wonderfully played by Geoff Monti. He is the dominant presence in this show while he spreads good cheer. He teaches Scrooge an important lesson on how to treat his fellow man and uses Scrooge’s words against him. The Ghost cajoles Scrooge while he shows him the plight of the Cratchit family and how his nephew, Fred is spending Christmas day. Mike Daniels is also marvelous as Fred. He brings a comic touch to the role, infusing him with energy. He is hilarious when he puts more coal in Scrooge’s heater and is comical during the party scene. His wife, Agnes is excellently played by gorgeous, brunette Chantell Araial. They have some clever banter during the party scene. Brian Lamothe also plays the Ghost of the Future and he scares the crap out of the audience as he shows Scrooge the fate that will befall him unless he repents his terrible ways. The Ghost accomplishes this by having Scrooge observe the Old Joe scene, the death of Tiny Tim and Scrooge’s own gravestone.

The Cratchit family members do a remarkable job, too.  Bob Mignari as Bob handles the comic moments like being shocked by Scrooge’s transformation in the last scene and also does a nice job in the death of Tiny Tim sequence. Kristen Allen plays Mrs. Cratchit and she shines in this role, as the caring, doting mother. She and Bob display their singing voices and dancing prowess, too. Kristen is very comical when she won’t toast the old miser but becomes properly dramatic and chokes you up during the Tim death scene. Other family members include her daughter, Harper Henning as Martha and Lily Legacy as Belinda. Young Roxy Johnson also plays Tiny Tim wonderfully and delivers the “God Bless Us, Everyone” song with gusto. Other comic performers include Laurie Crabtree as Mrs. Dilber, who delivers Scrooge’s gruel, shocks him at the door, walks slowly to deliver the food to him and sells his bed clothes while John Martorella plays Old Joe. So to get into the Christmas spirit, be sure to catch “A Christmas Carol” at West Warwick High School by The Arctic Playhouse.

A CHRISTMAS CAROL (6 to 9 December)

The Arctic Playhouse, West Warwick High School, 1 Webster Knight Drive, West Warwick, RI

1(401)573-3443 or www.thearcticplayhouse.com

 

 

“IT’S A WONDERFUL LIFE, THE MUSICAL” (The Community Players, Pawtucket, RI)

“IT’S A WONDERFUL LIFE, THE MUSICAL”

Reviewed by Tony Annicone

 

The holiday musical at Community Players this year is “It’s A Wonderful Life, The Musical”. Based on the beloved 1946 film, this family friendly musical faithfully follows the familiar story of George Bailey’s life from childhood dreams to midlife disappointments. After George wishes he had never been born, an angel is sent to earth to make his wish come true and we all take the journey to discover whether his time on earth has mattered at all. Cinematically scored, this musical adaptation breathes new life into a familiar story, while retaining the warmth, humor and pathos of the original. Director Vinnie Lupino picked a strong leading man to portray George Bailey in Duane Langley who is onstage the entire show. His comic timing as well as his dramatic acting as he wrings every bit of pathos from this role,leaving the audience in tears. So you have the necessary ingredients for a very successful Christmas musical that audiences of all ages can enjoy thoroughly from start to finish. The musical score adds layers to these well known characters from the movie version especially Mary Hatch’s character as the audience discovers she yearned for George all through high school by being madly in love with him as she reveals in “My George Bailey.” Bravo on a job well done!

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“BELL, BOOK AND CANDLE” (Granite Theatre, Westerly, RI)

Reviewed by Tony Annicone

 

The current show at The Renaissance City Theatre; the producing entity of the Granite Theatre, is “Bell, Book and Candle” by John Van Druten. Gillian is a modern day witch, capable of conjuring and performing feats of black magic. When she casts a spell over bachelor neighbor in an effort to keep him away from her rival, he instead falls for the bewitching Gillian. Unfortunately for her, when a sorceress succumbs to the power of love, she loses her power of magic. And our lovesick necromancer is compelled to make a choice of her lifetime. This leads to a number of difficulties for both of them.The title of this play is a reference to excommunication which is performed by the bell, book and candle. It is opened with “Ring the bell, open the book and light the candle.” and closed with “Ring the bell, close the book, quench the candle.” Director Anna Convery picks a talented 5 member cast to play these madcap roles.

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