Flat Earth Introduces You To…’Not Medea’

(Juliet Bowler in Flat Earth’s ‘Not Medea’)

Review by James Wilkinson

‘Not Medea’ – Written by Allison Gregory. Directed by Elizabeth Yvette Ramirez. Set Design: Ben Lieberson. Costume Design: Elizabeth Krah. Props Design: Jake Scaltreto. Lighting Design: Connor Van Ness. Sound Design/Composer: Kyle Lampe. Graphic Designer: Jake Scaltreto. Presented by Flat Earth Theatre at the Black Box at the Mosesian Center for the Arts, 321 Arsenal St., Watertown through March 30

The levels of irony present in the title of Allison Gregory’s play, Not Medea, are truly awe-inspiring. The play is currently being staged by Flat Earth Theatre and even now, a few days after having seen the show, I’m still marveling at just how perfect a title it is (there’s more to the production than the title, but it seems as good a place as any to start). For you see, the production we’re seeing is, quite literally, not Medea. At least, it’s not Euripides’ ancient Greek drama, Medea. Gregory’s play, however, does follow the story of Medea, albeit from a slightly different angle. Here we meet a woman who is…not Medea, but whose story begins to run parallel to the Greek Medea to the point where the lines between the two begin to blur and intersect. So while, yes, this might not be the Medea we’ve previously encountered, it’s a modern-day Medea that is of our own time in the way that Euripides’ play was of his.

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“Oleanna” Stirs a Disturbing Debate

 

By Michele Markarian

 

‘Oleanna’ – Written by David Mamet.  Directed by Elaine Vaan Hogue. Presented by New Repertory Theatre, Arsenal Center for the Arts, 321 Arsenal Street, Watertown, MA through November 5

 

I feel like I need to start this review off by saying that I am – absolutely – a feminist.  Keep reading, and you’ll see why.

 

“Oleanna” takes place in the office of John (Johnny Lee Davenport), a professor at a college whose impending tenure has just been announced. The subsequent raise in pay is allowing him to purchase a new home. A series of phone calls negotiating the details of this real estate transaction is interrupted by the arrival of Carol (Obehi Janice), a student who claims to be having difficulty with his class and in particular, his textbook. The textbook, one that he has authored himself, refers to higher education as “systematic hazing”. As someone who has worked hard to get herself to college, Carol is deeply offended by this. As she despairs at being too “stupid” to understand what is going on in his classroom, John offers to give her an A, if she agrees to meet with him for tutoring sessions. This decision will ultimately be John’s downfall.

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