by Mike Hoban
“WARHOLCAPOTE” – Adapted by Rob Roth from the Words of Truman Capote and Andy Warhol; Directed by Michael Mayer; Starring Stephen Spinella and Dan Butler; Scenic Design by Stanley A. Meyer; Costume Design by Clint Ramos; Lighting Design by Kevin Adams; Sound Design by John Gromada; and Projection Design by Darrel Maloney. Presented by the American Repertory Theater at the Loeb Drama Center, 64 Brattle St, Cambridge through October 11.
The A.R.T.s Broadway-bound WARHOLCAPOTE is making its much-anticipated world premiere at the Loeb Center, and while there’s a lot to like about this “non-fiction invention”, it’s really less of a fully developed play and more of a series of outtakes from conversations between the two 20th century icons. Which – considering the colorful nature of the work’s subjects – makes for an entertaining 90 minutes.
Read more “A.R.T.s “WARHOLCAPOTE” An Entertaining Diversion”
By Mike Hoban
‘Burn All Night’ – Book and Lyrics by Andy Mientus. Music by Van Hughes, Nicholas LaGrasta, and Brett Moses. Directed by Jenny Koons. Scenic Design by Sara Brown; Choreography by Sam Pinkleton; Costume Design by Evan Prizant, Lighting Design by Bradley King; Sound Design by Jessica Paz; Music Direction by Cian McCarthy. Produced by the American Repertory Theater at Oberon, 2 Arrow St, Cambridge, through Sept. 8
There’s a scene in the second act of “Burn All Night”, the millennial musical now making its world premiere at Oberon, where four friends are partying hard while waiting for the apocalypse, when they decide to engage in a faux philosophical game of “What would you do if the world were ending tomorrow?” The answer by one of them – that he would essentially get spectacularly wasted – angers the alleged deep thinker of the group, who was undoubtedly hoping for something a little more substantial. The unintentional irony is that the same holds true for much of “Burn” a frothy new work by Broadway and television star (and first time playwright) Andy Mientus, who has created a show that delivers high energy entertainment – but little of its promised depth.
Read more “It’s the End of the World as We Know It, So Let’s “Burn All Night””