CABARET @ The Hanover Theatre

 

Reviewed by Tony Annicone

 

The National Tour of “Cabaret” is the latest musical to grace the stage at the historic Hanover Theatre in Worcester, MA. This Kander and Ebb Tony Award winning musical is set in the tumultuous city of Berlin right before Hitler’s rise to power. “Cabaret” won it’s first Tony for best show in 1967, the second Tony for best revival in 1998 and is based on Christopher Isherwood’s “Berlin Stories” and John Van Druten’s “I Am a Camera.” This version was inspired by the 1993 production at the Donmar Warehouse in London. The action takes place in the Kit Kat Klub where the show begins with the jazz number “Wilkommen” as well as in Fraulein Schneider’s boarding house and Herr Schultz’s fruit shop. Cliff Bradshaw, a young American novelist arrives on the train to Berlin where Ernst, a German businessman, places his briefcase among Cliff’s luggage at the German border and uses it as an opportunity to make Cliff’s acquaintance.

Read more “CABARET @ The Hanover Theatre”

My Highly Impressionistic History of The Life and Death and Glorious Rebirth of THEATER Here in Boston

 

(Boston Theater District in the 1950’s)

 

by Larry Stark 

 

The sign’s faded, but the Boylston Street stop on the Green Line proclaims itself in the center of “The Theatre District” of Boston.

In a sense that’s still true, since within a few blocks’ walking distance are The Colonial Theatre and The Boston Opera House, The Wang Center and The Shubert Theatre, The Emerson Cutler Majestic Theatre and Emerson’s Theatre Center, and the new Metropolitan Theatre and the Modern Theatre, and the Charles Playhouse –  home of the two longest-running shows in Boston’s history.

For decades, this was a true center for a kind of “golden age” of theatre in Boston – the days when all sorts of shows “tried-out” for two weeks before the most intelligent audience for plays in the country, before chancing an opening down in New York City. There were three “big Broadway barns” here –  the Colonial and Ye Wilbur Theatre and the Shubert –  and, for a time, anyone who had a show working its way toward a run in The Apple had to reserve a two-week stint at one of those houses a full year in advance; that many shows were hoping for Boston’s help.

Read more “My Highly Impressionistic History of The Life and Death and Glorious Rebirth of THEATER Here in Boston”

Bedlam’s Sense & Sensibility at A.R.T. is “Uncommonly Good”

 

By Mike Hoban

 

Bedlam’s Sense & Sensibility – By Kate Hamill; Based on the novel by Jane Austen; Directed by Eric Tucker; Choreography by Alexandra Beller; Scenic Design by John McDermott; Lighting Design by Les Dickert; Costume design by Angela Huff; and Sound Design by Alex Neumann. Presented by Bedlam at American Repertory Theater (A.R.T.), Loeb Drama Center, 64 Brattle St., Cambridge through January 14

 

Fans of New York-based Bedlam have been eagerly awaiting the theater troupe’s return to Cambridge, and as we saw once again on opening night, with ample reason. Anyone who had seen their insanely clever productions of St. Joan and Twelfth Night/What You Will (both of which won Eliot Norton and IRNE Awards for Best Visiting Productions in 2015 and 2017 respectively) at the Central Square Theatre in recent years must surely have had the performance dates circled on their calendars. And Bedlam, true to form, did not disappoint.

Read more “Bedlam’s Sense & Sensibility at A.R.T. is “Uncommonly Good””

A Timeless “CHRISTMAS CAROL” at Hanover Theatre

 

Reviewed by Tony Annicone

 

The Hanover Theatre’s holiday show this year is the 10th Anniversary production of “A Christmas Carol” which is an annual favorite. This musical version of this well known holiday tale was adapted and directed by Troy Siebels. “A Christmas Carol” is a timeless story that still resonates with people of all ages and carries a message that is as genuine and poignant now as it was when it was first written back in 1843. This splendid musical version captures the true spirit and meaning of the holiday season for everyone.

Read more “A Timeless “CHRISTMAS CAROL” at Hanover Theatre”

Old World Music, Comedy from Renaissance Era Lights Up Christmas Revels – A Venetian Celebration

 

By Mike Hoban

Christmas Revels – A Venetian Celebration of the Winter Solstice. Directed by Patrick Swanson; Musical Direction by Megan Henderson; Set Design by Jeremy Barnett; Sound Engineer, Bill Winn; Costume Design by Heidi A. Hermiller; Choreography by Kelli Edwards. Presented by Revels at The Sanders Theater at Harvard University, 45 Quincy Street, Cambridge, through December 27th.

It seemed appropriate that snow was still lightly falling last Saturday evening, just in time for opening night of the Christmas Revels – A Venetian Celebration at the Sanders Theater in Harvard Square. Not that it snows much in Venice, Italy – the setting for the 47th Christmas Revels – nor do the performances of the Revels necessarily bear any resemblance to any traditional New England Christmas celebration. But there is something (okay, the old world music and comedy that are trademarks of any Revels show) about this Cambridge Yuletide tradition that bring that same warm feeling as any of the traditional holiday shows, and the gentle snowfall just completed the experience.

Read more “Old World Music, Comedy from Renaissance Era Lights Up Christmas Revels – A Venetian Celebration”

NSMT’s Delivers Spirited ‘Christmas Carol’

 

Reviewed by Tony Annicone

 

Bill Hanney’s North Shore Music Theatre’s holiday show this year is the 27th Anniversary production of “A Christmas Carol, A Musical Ghost Story” which is an annual favorite. This version of this well known holiday tale was written by former NSMT artistic director, Jon Kimball which he adapted back in 1989. As Jon explains “A Christmas Carol” is a timeless story that still resonates with people of all ages and carries a message that is as genuine and poignant now as it was when it was first written back in 1843. This splendid musical version captures the true spirit and meaning of the holiday season for one and all.

Read more “NSMT’s Delivers Spirited ‘Christmas Carol’”

“Nurse Play” is Strange, Surreal, and Satisfying

Image may contain: 2 people

 

By Evan McKenna

 

“Nurse Play” – Created and Written by James Wilkinson; Directed by Joe Juknievich; Stage Management by Tori Skoniecki; Movement Director Kayleigh Kane. Presented by Exiled Theatre at Boston Playwright’s Theatre, 949 Commonwealth Avenue, Boston through December 17

 

“Black Pawn to E four,” says Nurse, engaging in a verbal game of chess with her bed-bound, disabled patient, Joe. “White pawn to E five” Joe defiantly replies. Nurse sits alone at the only table in the small, poorly lit room, sunglasses over her hollowed-out eyes and a stack of Blondie records next to her record player, waiting to make her next move.

Read more ““Nurse Play” is Strange, Surreal, and Satisfying”

Lyric’s ‘Hold These Truths’ Brings Light to Dark Chapter of American History

 

 by Mike Hoban

 

‘Hold These Truths’ – Written by Jeanne Sakata; Directed by Benny Sato Ambush; Scenic Design by Shelley Barish; Sound Design and Original Music by Arshan Gailus; Choreography by Jubilith Moore; Lighting Design by Karen Perlow; Costume Design by Tobi Rinaldi. Presented by Lyric Stage at 140 Clarendon Street, Boston, through December 31

 

Theater often reflects the times we live in. As a result, 2017 has been a year where productions have often left audiences with the horrible sense of dread that what we thought could never happen again, may indeed be happening again. Local theatre companies have produced a number of Nazi-themed plays like Tony Kushner’s A Bright Room Called Day, Arthur Miller’s Incident at Vichy, and Brecht on Brecht, while a national tour of the revival of Cabaret rolled into Boston just days after the inauguration. There were also a handful plays (To Kill A Mockingbird, Thurgood) that served as reminders that maybe those bad old days of institutional racism may not yet be over.

 

Read more “Lyric’s ‘Hold These Truths’ Brings Light to Dark Chapter of American History”

THE HUNCHBACK OF NOTRE DAME Bishop Hendricken Theatre, Warwick, RI

THE HUNCHBACK OF NOTRE DAME

Reviewed by Tony Annicone

 

Bishop Hendricken Theatre’s current musical extravaganza is “The Hunchback of Notre Dame”, a new musical which debuted at the La Jolla Playhouse in California in October, 2014. Then in March, 2015 it played at Papermill Playhouse in New Jersey. Both theatres have had shows transferred to Broadway. Unfortunately this musical did not make it and why is a complete mystery to me. This version is based on the Victor Hugo 1831 novel which was transformed by Disney into an animated film in 1996. This version has music by Alan Menken, lyrics by Stephen Schwartz and book by Peter Parnell. However this is not the usual happy musical from Disney where everyone lives happily ever after. The songs from the Disney film “The Hunchback of Notre Dame” are powerful and potent and the tale dark and Gothic but still it is an entrancing and enticing musical to see and savor. Director Richie Sylvia who is also musical director picks the best performers for these roles and infuse them with high energy all night long. Richie plays lead keyboards and Sean Donnelly conducts a fabulous 13 piece orchestra and obtains awesome harmonies from the cast. Choreographer Teresa Pearson supplies some upbeat dances to lighten up the show in some of the gypsy sequences. Their expertise wins a very well deserved spontaneous standing ovation at the close of the performance.

Read more “THE HUNCHBACK OF NOTRE DAME Bishop Hendricken Theatre, Warwick, RI”

“A CHRISTMAS CAROL” (Arctic Playhouse, West Warwick, RI)

 

Reviewed by Tony Annicone

 

The Arctic Playhouse’s holiday presentation this year is the premiere production of “A Christmas Carol” adapted and directed by John Martorella with gorgeous and lush original music by his husband, Philip Martorella. John assembled a huge cast of 30. The underlying themes of charity, mercy, forbearance, and benevolence found in “A Christmas Carol” are universal and are relevant to people of all religions and backgrounds. In his version, John uses two different performers as the narrators of this familiar tale of miserly, curmudgeon, Ebenezer Scrooge. It is the classic tale of this stingy, miser on the road to his redemption. Originally written in the winter of 1843, this show still resonates with audiences, one hundred and seventy five years later. Scrooge is visited by his dead partner, Jacob Marley who has been dead for seven years on Christmas Eve as well as the ghosts of the Past, Present and Future. who hope to change his destiny and save his soul. This musical adaptation is full of lovely music, colorful sets and gorgeous costumes. This musical treat follows Scrooge on his strange and magical journey, where he finally discovers the true Christmas spirit at last.

John obtains laughter and some tears on Scrooge’s journey to redemption. He keeps the action of the show moving from scene to scene. He ends the show with the cast singing “God Bless Us All” to the audience. The music by Philip is magnificent and a recorded track is used for all these numbers. The three marvelous numbers are “Rise and Walk With Me” by Christmas Past, “With All the Dreams We Share” by Belle and “God Bless Us All” by Tiny Tim. Also well done is the chorus dance in the Fezziwig scene. The London sets are by Jim Belanger and Lloyd Felix while the fabulous, gorgeous authentic costumes are by Nancy Spirito and Johnny Cagno.

Terry Simpson plays Ebenezer Scrooge. He plays this miserly curmudgeon excellently and commands the stage in this role. Terry excels in the comic scenes especially when he yells at the carolers as well as when he yells at the two solicitors. However it is in the dramatic scenes that are the most memorable including Fan’s death, the break-up with Belle, the death of Tiny Tim and in his transformation that the pathos pours out to the audience.  His exuberance when he awakens on Christmas morning is stunning to behold as he dances with joyous rapture. The audience learns that Scrooge has become a better man by learning from the past, present and the future. The Turkey boy well played by Jacoby Messier helps Scrooge turn a new leaf by sending the turkey to the Cratchitts.

The four Ghosts do a marvelous job in this show, too. Geoff Monti is wonderful as Jacob Marley. He scares not only Scrooge but every person in the audience as he appears on the scene. The chains clang as he drag them across the floor.  Marley stands near Scrooge’s bed with huge chains and warns him to reform his miserly ways or suffer Marley’s fate these past seven years. Monti’s delivery of these lines is frightening to behold. Christmas Past is portrayed by Maria Tavorozzi, a beautiful brunette who has a lovely singing voice in her impressive song “Rise and Walk with Me”. She chides Scrooge as he watches his younger self enjoying and loving Christmas with his sister, Fan when she arrives to take him home and again at Fezziwig’s party when he fell in love with Belle. Maria delivers the goods as she takes Scrooge on his journey of enlightenment. Young Scrooge is wonderfully played by Mike Daniels as is Roxy Johnson as little Fan. Mike is also topnotch in the break up scene. Chantell Araial is terrific as Belle, playing it with a great deal of warmth and charm. Their break up scene is poignant to observe as she hands him back the engagement ring while she sings “With All the Dreams We Share” which is gut wrenching and very beautifully rendered. The jolly employer and his wife are splendidly played by Brian Lamothe and Peirson as Mr. and Mrs. Fezziwig. They lead the party festivities with gusto, bringing the necessary comic relief at this point of the show.

Christmas Present is wonderfully played by Geoff Monti. He is the dominant presence in this show while he spreads good cheer. He teaches Scrooge an important lesson on how to treat his fellow man and uses Scrooge’s words against him. The Ghost cajoles Scrooge while he shows him the plight of the Cratchit family and how his nephew, Fred is spending Christmas day. Mike Daniels is also marvelous as Fred. He brings a comic touch to the role, infusing him with energy. He is hilarious when he puts more coal in Scrooge’s heater and is comical during the party scene. His wife, Agnes is excellently played by gorgeous, brunette Chantell Araial. They have some clever banter during the party scene. Brian Lamothe also plays the Ghost of the Future and he scares the crap out of the audience as he shows Scrooge the fate that will befall him unless he repents his terrible ways. The Ghost accomplishes this by having Scrooge observe the Old Joe scene, the death of Tiny Tim and Scrooge’s own gravestone.

The Cratchit family members do a remarkable job, too.  Bob Mignari as Bob handles the comic moments like being shocked by Scrooge’s transformation in the last scene and also does a nice job in the death of Tiny Tim sequence. Kristen Allen plays Mrs. Cratchit and she shines in this role, as the caring, doting mother. She and Bob display their singing voices and dancing prowess, too. Kristen is very comical when she won’t toast the old miser but becomes properly dramatic and chokes you up during the Tim death scene. Other family members include her daughter, Harper Henning as Martha and Lily Legacy as Belinda. Young Roxy Johnson also plays Tiny Tim wonderfully and delivers the “God Bless Us, Everyone” song with gusto. Other comic performers include Laurie Crabtree as Mrs. Dilber, who delivers Scrooge’s gruel, shocks him at the door, walks slowly to deliver the food to him and sells his bed clothes while John Martorella plays Old Joe. So to get into the Christmas spirit, be sure to catch “A Christmas Carol” at West Warwick High School by The Arctic Playhouse.

A CHRISTMAS CAROL (6 to 9 December)

The Arctic Playhouse, West Warwick High School, 1 Webster Knight Drive, West Warwick, RI

1(401)573-3443 or www.thearcticplayhouse.com