Love and Mercy in New Rep’s “The Gift Horse”


By Michele Markarian


The Gift Horse, by Lydia R. Diamond. Directed by Jim Petosa. Scenic Design by Jon Savage, Costume Design by Penney Pinette; Lighting Design by Alberto Segarra; Sound Design by Dewey Dellay. Presented by The New Repertory Theatre, 321 Arsenal Street, Watertown through May 14.


Ruth (Obehi Janice) is an energetic and engaging teacher and artist who is struggling to conceal, even from herself, a painful secret from her childhood. Once in college, she falls in love with, and then befriends, Ernesto (Alejandro Simoes), her gay neighbor. Ernesto and Ruth connect in all ways but one, but with Ernesto’s recommendation and support, Ruth is introduced to her therapist and future husband, Brian (Maurice Emmanuel Parent). Brian helps Ruth unravel the mystery of her inability to be intimate with a man, and despite Ernesto’s and Brian’s resistance to one another, they all manage to come together and create a different kind of family than the one Ruth grew up in.

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Avenue Stage’s ‘Fish Schticks’ a Delight


By Beverly Creasey 


Michael O’Halloran’s cheeky comedy, FISH FOOD (playing in Avenue Stage’s DOT 2 DOT space through this weekend only) is a delightful send-up of the hotel business. From management to bellhops, they’re all a little nutty, as one might full well expect after listening to the country’s first Hotelier-President carry on. O’Halloran writes from experience, having been employed at one of Boston’s tony hotels.

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“THE BEST OF EVERYTHING” (2nd Story Theatre)


Reviewed by Tony Annicone


2nd Story Theatre’s latest show is “The Best of Everything”, by Julie Kramer is the adaptation of Rona Jaffe’s 1958 novel. It shows how young women were treated in a paperback publishing company when men ruled the roost. The lone female editor is 36 year old Miss Farrow. The original novel electrified women back then at a look at the lives of these five young women who are employees of this firm. This show captures the incisive look at the personal and professional struggles these women faced and at times still face.

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“GODSPELL” Barker Playhouse

Reviewed by Tony Annicone


The Players last show of their 108th season is “Godspell” with music and new lyrics by Stephen Schwartz and book by John-Michael Tebelak, originally opened Off-Broadway on May 17, 1971. It is the loose account of the life and death of Christ and is constructed as a continuous stream of stories, told through parables, many taken from the Gospel according to St. Matthew and St. Luke. The show lives on in the minds of many as one of the “hippie” musicals and is performed in two acts. Also Godspell is the Old English spelling of gospel. The show is sketch-like in nature and suited to improvisations and ad libs. The timeless message of “Godspell” has always been about finding your quiet, unshakeable faith amid a loud, very cold, very shallow modern world. Mike Farrelly picks 10 of the best performers for this show and elicits terrific performances from each and everyone of them. Musical director Ron Procopio not only taught the different style of songs to the cast but plays lead keyboard while conducting a three piece orchestra. Choreographer Michael Maio taught the different styles of dance to them including soft shoe, Charleston and jazz. Their combined efforts win them a standing ovation at the close of the show.<P>

The set for the show is by Patricia Cotoia while all the costumes are by Bob DeMattio. Ed Benjamin III stars as Jesus and is excellently cast in this role. One of Jesus’ most powerful numbers is “Alas for You” where the words “Alas, alas, alas for you! Blind Fools!!” which rings true today as it did back in biblical times as well as in 1970’s when the show was first written. Ed’s first song is “Save the People” where the cast dances around him. He also sings “Beautiful City” where he explains that he wants a city for all men. The Last Supper and the death scene are fabulously portrayed not leaving a dry eye in the house including mine. The opening philosophers section has beautiful harmonies in it and is wonderfully performed as they sing individual parts first and then later in harmony. Black and gray costumes are used for this opening segment and then brightly colored costumes are used for the rest of the show.

Michael always does an incredible job on any show that he directs. He gives all his performers their moment to shine in this high energy show. The first act is vaudevillian while the second act becomes more somber after “Turn Back O Man.” Samuel Gelman as John the Baptist sings “Prepare Ye” and later becomes Judas where he and Ed stop the show with “”All for the Best” done in counterpoint. “Day by Day” is given a lovely rendition by Trish St. Laurent with her powerful voice where the disciples learn to share with each other. Another fantastic group dance occurs as Bethany Lynn Giammarco belts out “Bless the Lord.”

A rousing number is “We Beseech Thee” with powerful vocals by Chris Margadonna and a dynamite dance by the cast. The betrayal scene is stunning, too. “By My Side” is a dynamic touching duet by Rebecca Kilcline and Stephanie Post. Stephanie also sings “Learn Your Lessons Well.” Ron Procopio sings the tear jerking “On the Willows” during the Last Supper as Jesus says goodbye to his followers which leaves the audience in tears. My favorite song in the show is “Turn Back O Man” sung excellently by Christy McCarthy as she tries to seduce the men in the audience as well as Jesus. “All Good Gifts” is sung by Tim Reid with his tenor voice soaring off the charts. Court Stafford sings “Light of the World” which closes the first act. “Long Live God” and “Prepare Ye” are done in counterpoint as Jesus is crucified. The show’s ending will leave you emotionally drained at its intensity but uplifted because Jesus left hope for the future. In these trying times who could ask for anything better for the world. So for a marvelous rendition of “Godspell”, be sure to catch this version at The Players. To join this 108 year old theatre club, just call Bill Applegate.

GODSPELL (12 to 21 May)

The Players, Barker Playhouse, 400 Benefit Street, Providence, RI

1(401)273-0590 or


“YOUNG FRANKENSTEIN” Shining Lights Productions, Stadium Theatre, Woonsocket, RI

Reviewed by Tony Annicone
Shining Lights Productions current show at the Stadium Theatre is “Young Frankenstein” by Mel Brooks. This musical is the inspired reimaging of the Frankenstein legend based on Mel Brooks classic comic movie masterpiece. The story follows bright young Dr. Frederick Frankenstein (that’s Fronkenstein) as he attempts to complete his grandfather’s unfinished masterwork of bringing a corpse to life.

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“BREAKING LEGS” (Footlights Repertory Company, Swansea)

Reviewed by Tony Annicone


Footlights Rep’s current show is the very funny “Breaking Legs.” The setting is an Italian restaurant in a small New England university town where the worlds of the Mafia and theatre clash hilariously with each other. A professor who is a playwright seeks funding for his new play from a former student’s family. The former student is a lusty, unwed woman who has a major crush on and is hot for the professor.

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“LOST IN YONKERS” Walpole Footlighters

Reviewed by Tony Annicone


Walpole Footlighters closing show of their 93rd season is Neil Simon’s 1991 Pulitzer Prize winning play, “Lost in Yonkers.” The show is set in 1942 and examines the relationships in the emotionally crippled Kurnitz family. The show is a coming of age tale that focuses on two brothers, Artie and Jay left in the care of their Grandmother Kurnitz and their Aunt Bella. Their desperate father, Eddie,

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Smart, Funny, “Art” at 2nd Story Theatre (Warren, RI)


By Richard Pacheco


“Art” currently at 2nd Story is s smart, funny, vibrant play brought vividly to life by an exceptional cast with great interactions and sheer chemistry. “Art” is a play by Yasmina Reza that premiered in 1994 in Paris. The English-language adaptation, translated by Christopher Hampton, opened in London’s West End on 15 October 1996, starring Albert Finney, Tom Courtenay and Ken Stott and ran for eight years. It opened in New York in 1998 and was awarded the Tony for best play and the best actor award went to Alfred Molina.

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‘Barbecue’ Grills Up Layers of Comedy with a Slice of Commentary

By C.J. Williams


Written by Robert O’Hara; Directed by Summer Williams; Scenic Design by Jessica Pizzuti; Costume Design by Tyler Kinney; Lighting Design by Jen Rock; Sound Design by David Wilson. Presented by Lyric Stage Theater, 140 Clarendon St. Boston, MA.


“Barbecue”, the new comedy by Robert O’Hara currently being staged at the Lyric, dives right in. Into comedy, into the half-tragic, half-sidesplitting look at addiction in the O’Mallery family, and into a park where the team of dysfunctional characters are setting up for an intervention with their drug-and-alcohol-addled sister, Zippity Boom.

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